{"id":2098,"date":"2025-10-27T07:30:00","date_gmt":"2025-10-27T06:30:00","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/antologia-de-poesia-queer\/"},"modified":"2026-03-04T14:14:49","modified_gmt":"2026-03-04T13:14:49","slug":"antologia-de-poesia-queer","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/antologia-de-poesia-queer\/","title":{"rendered":"\u00abAntolog\u00eda de poes\u00eda queer\u00bb"},"content":{"rendered":"

<\/a>N\u00e9store, \u00c1ngelo (ed.). Antolog\u00eda de poes\u00eda queer: una imaginaci\u00f3n radical.<\/em> Madrid: Espasa, 2024. 240 p. (ESPASAesPOES\u00cdA). ISBN 978-84-670-7253-2. 13,90 \u20ac.<\/p>\n

Conviure entre la difer\u00e8ncia comen\u00e7a perqu\u00e8 siguem conscients que la diversitat existeix i que \u00e9s complexa, i com qualsevol expressi\u00f3 humana, la cultura queer<\/em> mereix tenir models on poder sentir-se identificada, perqu\u00e8 la difer\u00e8ncia ve de lluny i \u00e9s normalitat a partir d\u2019una regla que per excel\u00b7l\u00e8ncia hauria de ser la fonamental: el respecte. <\/p>\n

En aquest cam\u00ed de trobar models art\u00edstics i literaris, \u00c1ngelo N\u00e9store, dona els par\u00e0metres del que pret\u00e9n l\u2019antologia:<\/p>\n

\u00abSi percibimos lo queer<\/em> no como una identidad sino como una posibilidad de entendernos desde lo relacional, hemos pensado que un libro polif\u00f3nico como este ser\u00eda la mejor forma de abordar algunas posibilidades de los deseos queer.<\/em> Sin ninguna pretensi\u00f3n de ofrecer un conocimiento exhaustivo o esbozar un canon, queremos dejar constancia de unas experiencias que forman parte de un relato actual y pensado en el contexto nacional, as\u00ed como registrar la b\u00fasqueda del misterio, del estado deseante y de su libertad radical\u00bb.<\/p>\n

Hi ha un precedent que caldria tenir en compte: Amors sense casa: poesia LGBTQ catalana <\/em>(Angle Editorial, 4a ed., 2018) a cura de Sebasti\u00e0 Portell, un recull que recull cent anys de poesia catalana. Aquesta nova Antolog\u00eda de poes\u00eda Queer<\/em> d\u2019\u00c1ngelo N\u00e9store, est\u00e0 dividida en tres parts: \u00abSoy una feria\u00bb, \u00abAlucinaciones\u00bb, \u00abBendita imaginaci\u00f3n\u00bb. Respecta la diversitat ling\u00fc\u00edstica dels poetes i aporta la lectura biling\u00fce que relaciona la traducci\u00f3 al castell\u00e0 amb el poema original. Els poetes seleccionats s\u00f3n: H\u00e9ctor Aceves, Txus Garc\u00eda, Berta Garc\u00eda Faet, Pol Guasch, Laia L\u00f3pez Manrique, Ant\u00f3n Lopo, Roberta Marrero, Juanpe S\u00e1nchez L\u00f3pez, Sara Torres, Gabriela Wiener. Destaquen perqu\u00e8 s\u00f3n autors amb traject\u00f2ria liter\u00e0ria. Cal remarcar la qualitat dels autors, el llibre no abaixa el nivell dels poemes que destaquen per un imaginari efervescent, r\u00edtmic, de vegades ir\u00f2nic i en diversos registres entre discursiu i col\u00b7loquial. Berta Garc\u00eda Faet pregunta: \u00ab\u00bfD\u00f3nde y a qu\u00e9 temperatura \/ olvidamos que nos hab\u00edamos encontrado, \/ y menospreciamos el milagro, permiti\u00e9ndole desdibujarse?\u00bb. Sobre la lluita contra l\u2019escepticisme social, les contradiccions de l\u2019amor de parella, la cerca de tendresa i alhora l\u2019expectativa c\u00ednica de la novetat, Roberta Marrero escriu: \u00abA \u00e9l solo le gustaban los extra\u00f1os. \/\/ Dec\u00eda que los extra\u00f1os mantienen \/ la genialidad intacta\u00bb. Com apunta N\u00e9store, no es tracta de fer un programa o un manifest, es tracta de poder oferir models a un p\u00fablic que no troba referents on poder-se identificar; per\u00f2 l\u2019antologia va m\u00e9s enll\u00e0. L\u2019ant\u00f2leg sap que la poesia \u00e9s sobretot creativitat i elaboraci\u00f3 ambiciosa on la qualitat del material literari ha d\u2019assolir la m\u00e0xima expressi\u00f3. En aquest sentit, la poesia de Pol Guasch destaca especialment: \u00abL\u2019amor tamb\u00e9 era aix\u00f2: un recer \/ en la intemp\u00e8rie i totes les ventades, despr\u00e9s. \/ Descompartir \u2013que vol dir trencar\u2013, \/ i trobar-nos per desfer el cabdell, \/ i separar-nos per refer el cabdell, \/ sota el cel rovellat de tan mirar-lo\u00bb. O b\u00e9 l\u2019imaginari hipn\u00f2tic i fastu\u00f3s de Laia L\u00f3pez Manrique: \u00abEllas. Gorriones sobre la tierra negra, carruajes de l\u00fanula, raspaduras. Qui\u00e9nes son, dijeron: ellas, gorriones sobre la tierra negra, carruajes de l\u00fanula. (Ellas tienen): No, ellas no tienen. Ellas guardan deseo. Ganas de hervir\u00bb.<\/p>\n

Un gran encert d\u2019\u00c1ngelo N\u00e9store ha estat configurar una antologia molt pensada en la diversitat de veus i punts de vista que enriqueix la selecci\u00f3 i fa que el volum aporti m\u00e9s que una mostra \u00e0gil i mod\u00e8lica. Potser discrepo del t\u00edtol del volum que trobo massa funcional, amb la imatge de la coberta del llibre, que d\u2019una m\u00e0 an\u00f2nima fa brotar fulles suposadament de llorer i que remet al mite d\u2019Apol\u00b7lo i la nimfa Dafne. Podria haver trobat un t\u00edtol m\u00e9s imaginatiu i suggerent. Conjugar la tradici\u00f3 liter\u00e0ria amb les noves formes serveix per explicar que all\u00f2 que anomenem queer<\/em> existeix des dels or\u00edgens de la humanitat. Com escriu el poeta de Tessal\u00f2nica Dinos Krhistian\u00f3pulos a Regala\u2019m un cos<\/em> (Salze, 2024): \u00abQu\u00e8 no heu fet per enterrar-me \/ heu oblidat, per\u00f2, que soc llavor\u00bb.<\/p>\n

Jordi Valls<\/a> <\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00e9store, \u00c1ngelo (ed.). Antolog\u00eda de poes\u00eda queer: una imaginaci\u00f3n radical. Madrid: Espasa, 2024. 240 p….<\/p>\n","protected":false},"author":1,"featured_media":3310,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":["https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2025\/10\/coberta_poesia20queer-687x1024.jpg",687,1024,true],"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1314,"filter":"raw","cat_ID":1400,"category_count":1314,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2098"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2098\/revisions"}],"predecessor-version":[{"id":3614,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2098\/revisions\/3614"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media\/3310"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}