{"id":2225,"date":"2024-11-29T07:30:00","date_gmt":"2024-11-29T06:30:00","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/creure-en-lart\/"},"modified":"2026-03-04T14:14:59","modified_gmt":"2026-03-04T13:14:59","slug":"creure-en-lart","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/creure-en-lart\/","title":{"rendered":"Creure en l\u2019art"},"content":{"rendered":"<p><a href=\"https:\/\/vincleeditorial.com\/producte\/foc-de-magranes-ramon-guillem\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"drupal-import-img\" src=\"\/edl\/wp-content\/cobertes\/2024\/coberta_foc.jpg\" width=\"1657\" height=\"2544\"><\/a>Guillem, Ramon. <em>Foc de magranes<\/em>: <em>de literatura, d\u2019altres arts i de biblioteques.<\/em> Val\u00e8ncia: Vincle, 2024. 149 p. (Vincle Panorama; 15). ISBN 978-84-127725-4-8. 20 \u20ac.<\/p>\n<p>Ramon Guillem (Catarroja, 1959-2024) fou poeta, bibliotecari i lector. Comptava amb una dilatada traject\u00f2ria en el m\u00f3n de la cultura valenciana, per la qual cosa es fa dif\u00edcil reduir la seva activitat a nom\u00e9s tres camps d\u2019acci\u00f3. La llic\u00e8ncia ens serveix, aix\u00f2 s\u00ed, per introduir el seu perfil i acotar el primer par\u00e0graf d\u2019aquesta ressenya.&nbsp;<\/p>\n<p><em>Foc de magranes <\/em>(Vincle Edicions, 2024) \u00e9s la darrera obra de l\u2019autor. Un llibre a mig cam\u00ed entre l\u2019assaig literari i la biografia personal on aboca bona part de la seva experi\u00e8ncia bibli\u00f2fila. Des de la poesia fins a la m\u00fasica cl\u00e0ssica, passant per l\u2019art de la pintura i la divulgaci\u00f3 cultural, el volum ofereix un ampli ventall d\u2019obres que, any rere any, han anat perfilant la identitat art\u00edstica del poeta. Es tracta del retrat d\u2019una educaci\u00f3 sentimental on, alhora que es fa balan\u00e7 d\u2019all\u00f2 viscut, s\u2019agraeixen els serveis prestats a tota una generaci\u00f3 d\u2019agents culturals del camp literari valenci\u00e0. El llegat de poetes, novel\u00b7listes, bibliotec\u00e0ries, editors i d\u2019altres professionals del sector \u00e9s reivindicat aqu\u00ed com la base sobre la qual elevar una esfera cultural que mira cap a Europa.<\/p>\n<p>Des de l\u2019inici, la narraci\u00f3 va m\u00e9s enll\u00e0 de la funci\u00f3 merament expositiva i es planteja com una forma d\u2019acompanyament. El material amb el qual treballa l\u2019autor \u00e9s sensible perqu\u00e8 parla de l\u2019art que l\u2019ha commogut, aix\u00ed que no es limita a compartir una llista inacabable de t\u00edtols. Cada refer\u00e8ncia inclou un record que qued\u00e0 gravat gr\u00e0cies a un seguit de revelacions que ara, repassant el seu historial de lectures, li permeten establir una petita cronologia. \u00abLlegiu quin vers tan descriptiu\u00bb i \u00abescoltem el poeta\u00bb s\u00f3n dues instruccions que trobem a les primeres p\u00e0gines i que obren una font incessant de citacions d\u2019autors com ara T. S. Elliot, Pere Gimferrer, Max Aub o Carson McCullers. Guillem transcriu, glossa i parafraseja per apropar-nos a la seva biblioteca particular, un m\u00f3n propi fruit d\u2019anys de lectures i relacions sociolaborals.<\/p>\n<p>Tot i l\u2019esperit divulgatiu del text, tamb\u00e9 hi ha lloc per a la reflexi\u00f3 personal i fins i tot te\u00f2rica. De la segona categoria destaca la seva visi\u00f3 sobre la \u00abmat\u00e8ria obscura o original\u00bb, on ens parla, arran d\u2019un di\u00e0leg entre el poeta Jos\u00e9 \u00c1ngel Valente i el pintor Antoni T\u00e0pies, del moment previ a l\u2019acci\u00f3 en l\u2019art. La inspiraci\u00f3 com a punt de trobada entre processos de creaci\u00f3 de diferents disciplines art\u00edstiques. Un buit aparent que, abans que la t\u00e8cnica intervingui i es cre\u00ef quelcom singular, ja amaga una significaci\u00f3 des de la qual m\u00e9s tard podran establir-se connexions. A partir d\u2019aqu\u00ed, aniran apareixent m\u00faltiples subratllats que identifiquen paral\u00b7lelismes entre obres de diferents \u00e8poques. \u00c9s el cas, per exemple, de l\u2019analogia entre dos artistes valencians que s\u2019inspiren en un mateix succ\u00e9s: Ivan Brull, un poeta actual, i Antonio Mu\u00f1oz Degrain, un pintor nascut a la primera meitat del segle XIX. El lector-observador, en aquest cas Guillem, detecta la concordan\u00e7a i estableix un fil conductor que travessar\u00e0 tot el volum. Les circumst\u00e0ncies de l\u2019atzar en l\u2019art dominen el relat i, en conseq\u00fc\u00e8ncia, les \u00e0nsies comparatistes de l\u2019autor.<\/p>\n<p>El llibre es llegeix com un testament literari i, a la vegada, com una crida al foment de la lectura i la creaci\u00f3. \u00c9s una porta d\u2019entrada ideal per a qualsevol lector apassionat de la literatura universal que, a m\u00e9s, tingui inter\u00e8s a equilibrar la balan\u00e7a entre el seu coneixement de les lletres catalanes i valencianes.<\/p>\n<p>Marc Balboa Rafanell<br \/>De la 7a promoci\u00f3 de l\u2019Escola de Llibreria<br \/>Llibreter a <a href=\"https:\/\/www.tiposinfames.com\/\" target=\"_blank\">Tipos Infames<\/a>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guillem, Ramon. Foc de magranes: de literatura, d\u2019altres arts i de biblioteques. Val\u00e8ncia: Vincle, 2024&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":4854,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":["https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2024\/11\/coberta_foc-667x1024.jpg",667,1024,true],"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1302,"filter":"raw","cat_ID":1400,"category_count":1302,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2225"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2225\/revisions"}],"predecessor-version":[{"id":3741,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2225\/revisions\/3741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media\/4854"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}