{"id":2501,"date":"2022-09-19T06:48:53","date_gmt":"2022-09-19T04:48:53","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/mil-anos-de-literatura-femenina-en-japon\/"},"modified":"2026-03-04T14:15:25","modified_gmt":"2026-03-04T13:15:25","slug":"mil-anos-de-literatura-femenina-en-japon","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/mil-anos-de-literatura-femenina-en-japon\/","title":{"rendered":"\u00abMil a\u00f1os de literatura femenina en Jap\u00f3n\u00bb"},"content":{"rendered":"
\n

\"\"<\/a>Rubio, Carlos. Mil a\u00f1os de literatura femenina en Jap\u00f3n<\/i>. Gij\u00f3n: Satori, 2021. 614 p., 40 p. de l\u00e0m. col. ISBN 978-84-17419-99-8. 30 \u20ac.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Mil a\u00f1os de literatura femenina en Jap\u00f3n <\/span><\/span><\/i>del japon\u00f2leg Carlos Rubio \u00e9s un estudi que complementa el seu anterior llibre Claves y textos de la literatura japonesa: una introducci\u00f3n <\/i>(C\u00e1tedra, 2019), i que <\/span><\/span>ja va ser ressenyat<\/span><\/a> en aquest mateix blog. Tal com va mencionar el professor Rubio en la presentaci\u00f3 del llibre a la Casa \u00c0sia, la idea de fer el llibre va n\u00e9ixer de la interacci\u00f3 amb els lectors, i \u00e9s un tribut al geni femen\u00ed del Jap\u00f3. Podeu veure el v\u00eddeo d\u2019aquesta presentaci\u00f3 <\/span><\/span>en aquest enlla\u00e7<\/span><\/a>. La col\u00b7laboraci\u00f3 de Satori Ediciones, una editorial especialitzada en cultura i literatura japoneses, va fer-ne possible la publicaci\u00f3.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Probablement no existeix al m\u00f3n una tradici\u00f3 liter\u00e0ria femenina tan antig<\/span><\/span><\/span><\/span><\/span><\/span><\/span>a i continuada com la japonesa. El llibre fa refer\u00e8ncia a \u00abmil a\u00f1os\u00bb, per\u00f2 evidentment aquest \u00abmil\u00bb \u00e9s un n\u00famero al\u00b7leg\u00f2ric, ja que aquesta tradici\u00f3 (com tota tradici\u00f3) no t\u00e9 un origen prec\u00eds en el temps. El llibre t\u00e9 vuit parts ordenades cronol\u00f2gicament (del 794 al 2019); una detallada introducci\u00f3, bibliografia, \u00edndex d\u2019autores, \u00edndex onom\u00e0stic, glossari de termes japonesos, i informaci\u00f3 sobre l\u2019autor. Al final de cada part hi ha la secci\u00f3 \u00abPara o\u00edrlas en espa\u00f1ol\u00bb que aplega traduccions existents de cada autora. \u00c9s d\u2019agrair, a m\u00e9s a m\u00e9s, el plec en color de 40 p\u00e0gines que recull material gr\u00e0fic d\u2019algunes autores mencionades en el llibre i els seus textos (pintures). <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Una de les obres m\u00e9s conegudes i antigues de la literatura japonesa femeni<\/span><\/span><\/span><\/span><\/span><\/span><\/span>na \u00e9s Genji monogatari <\/i><\/span><\/span>\u6e90\u6c0f\u7269\u8a9e<\/span><\/span> de Murasaki Shikibu. Shikibu \u00e9s una escriptora de l\u2019\u00e8poca Heian (794 – 1185). Segons l\u2019autor, les dones de l\u2019\u00e8poca Heian volien crear g\u00e8neres literaris que els homes no cultivaven (p. 91). En aquell moment, el homes es dedicaven a activitats acad\u00e8miques com la hist\u00f2ria o la poesia en xin\u00e8s (kanshi <\/i><\/span><\/span>\u6f22\u8a69<\/span><\/span>). Les dones, doncs, van abordar temes que aquests homes acad\u00e8mics rebutjaven, especialment la ficci\u00f3, o les monogatari <\/i><\/span><\/span>\u7269\u8a9e<\/span><\/span>, poesies escrites no pas en xin\u00e8s sin\u00f3 en llengua japonesa (waka <\/i><\/span><\/span>\u548c\u6b4c<\/span><\/span>). Un dels waka<\/i> m\u00e9s coneguts (\u00abEnviado a alquien que no se sent\u00eda bien\u00bb, p. 128) fou escrit per Izumi Shikibu:<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n\n\n\n\n\n\n\n
Arazaramu<\/td>\nS\u00e9 que voy a morir,<\/td>\n<\/tr>\n
Kono yo no hoka no<\/td>\npero al m\u00e1s alla llevar quiero<\/td>\n<\/tr>\n
Omoide ni<\/td>\npostrer recuerdo.<\/td>\n<\/tr>\n
Ima hito tabi no<\/td>\n\u00bfPor qu\u00e9 no concederme<\/td>\n<\/tr>\n
Au koto mo gana<\/td>\nuna \u00faltima cita?<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

El professor Rubio recorda que la tradici\u00f3 de literatura femenina al Jap\u00f3 \u00e9s una tradici\u00f3 preliter\u00e0ria. Abans d\u2019arribar l\u2019escriptura des de la Xina al Jap\u00f3, la literatura que hi havia al Jap\u00f3 era la literatura oral i les dones n\u2019eren les transmissores. De boca en boca, van transmetre moltes llegendes, poemes o contes mitol\u00f2gics. Moltes d\u2019elles esdevingueren professionals i tenien l\u2019ofici de kataribe <\/i><\/span><\/span>\u8a9e\u308a\u90e8<\/span><\/span> (\u00abrecitadores\u00bb).<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n

En resum, el llibre \u00e9s recomanable per a qualsevol lector que tingui inter\u00e8s en la literatura japonesa i, especialment, a copsar la gr\u00e0cia de la literatura pensada i expressada per autores. El llibre tamb\u00e9 ser\u00e0 profit\u00f3s per als lectors que vulguin con\u00e8ixer detalls sobre les dificultats que les autores van patir i el cam\u00ed espin\u00f3s que van fer abans d\u2019obtenir reconeixement i visibilitat sota unes condicions socioecon\u00f2miques que els eren for\u00e7a desfavorables. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Xiaomeng Wang<\/span><\/a><\/span><\/span><\/span><\/span>
\nDe la 6a promoci\u00f3 de l\u2019Escola de Llibreria<\/a><\/span><\/span><\/span><\/span><\/span><\/span>
\nBibliotec\u00e0ria digital<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Rubio, Carlos. Mil a\u00f1os de literatura femenina en Jap\u00f3n. Gij\u00f3n: Satori, 2021. 614 p., 40…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2501","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1292,"filter":"raw","cat_ID":1400,"category_count":1292,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2501"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2501\/revisions"}],"predecessor-version":[{"id":4017,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2501\/revisions\/4017"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}