{"id":2525,"date":"2022-06-10T06:44:36","date_gmt":"2022-06-10T04:44:36","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/dentro-de-la-literatura-de-suso-de-toro\/"},"modified":"2026-03-04T14:15:28","modified_gmt":"2026-03-04T13:15:28","slug":"dentro-de-la-literatura-de-suso-de-toro","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/dentro-de-la-literatura-de-suso-de-toro\/","title":{"rendered":"\u00abDentro de la literatura\u00bb, de Suso de Toro"},"content":{"rendered":"

\"\"<\/a>Toro, Suso de. Dentro de la literatura.<\/i> Madrid: Alianza Editorial, 2022. 185 p. ISBN 978-84-1362-773-1. 14,90 \u20ac. <\/span><\/span><\/span><\/span><\/span><\/p>\n

Suso de Toro (Santiago de Compostel\u00b7la, 1956) \u00e9s escriptor gallec en gallec (la precisi\u00f3 \u00e9s obligada), professor de secund\u00e0ria i pol\u00edtic; \u00e9s sobretot conegut per les seves col\u00b7laboracions a la premsa: fins i tot t\u00e9 entrada a la Wikipedia<\/a><\/i> (si aix\u00f2 pot servir de refer\u00e8ncia).<\/span><\/span><\/span><\/span><\/span><\/p>\n

Aquest llibre \u00e9s un assaig, fet des de dins de la professi\u00f3 (com recorda el t\u00edtol), sobre l\u2019escriptura liter\u00e0ria, presentat en 26 cap\u00edtols breus, on parla tant del lloc de l\u2019escriptor dins de la societat (l\u2019\u00e8xit i el frac\u00e0s, la fama p\u00f2stuma\u2026), com de les caracter\u00edstiques de la paraula escrita en front de l\u2019oralitat; tant del comprom\u00eds de l\u2019autor com dels processos de composici\u00f3, que anomena en un moment \u00abla herrer\u00eda de los textos\u00bb (p. 109): la concentraci\u00f3, l\u2019a\u00efllament\u2026 I, \u00e9s clar, en un autor espanyol que no escriu en una de les \u00ablenguas europeas con Estado\u00bb (p. 58), les conseq\u00fc\u00e8ncies que aix\u00f2 suposa per donar-se a con\u00e8ixer. <\/span><\/span><\/span><\/span><\/span><\/p>\n

<\/p>\n

L\u2019assaig permet transicions entre temes aparentment deslligats, digressions i especialment un to assertiu, de vegades contundent; potser per remarcar-ho, la disposici\u00f3 tipogr\u00e0fica usa un text no justificat, com si mantingu\u00e9s encara l\u2019escriptura sobre paper, sense elaboracions posteriors. Les digressions expliquen tamb\u00e9 els nombrosos par\u00e8ntesis (p. 29). L\u2019assaig gaireb\u00e9 exigeix citar aquells autors que han aportat arguments a les opinions de l\u2019autor; en alg\u00fa preocupat per les exclusions del c\u00e0non (p. 57), no ha d\u2019estranyar que, quan parla de la intimitat requerida per l\u2019escriptor, a m\u00e9s de la previsible refer\u00e8ncia a Virgina Woolf, citi Entre visillos<\/i> de Carmen Mart\u00edn Gaite (p. 104) o un desconegut (almenys per a mi) assaig de Rosal\u00eda de Castro (p. 110), i que, a prop\u00f2sit de la preocupaci\u00f3 per la posteritat, esmenti Miguel Torga (p. 43) que, com tants escriptors portuguesos, \u00e9s for\u00e7a desconegut fora del seu pa\u00eds.<\/span><\/span><\/span><\/span><\/span><\/p>\n

L\u2019assaig permet con\u00e8ixer sentiments que s\u00f3n propis dels autors, com les relacions que tenen amb les seves obres: \u00abuna relaci\u00f3n simb\u00f3lica semejante, aunque est\u00e9ril, a la de tener hijos y criarlos\u00bb (p. 42). El lector espera opinions que no es poden trobar en un manual o en un article acad\u00e8mic, i per tant aprecia que l\u2019autor reconegui que es va avorrir amb La muntanya m\u00e0gica<\/i> (p. 90) i que Camilo Jos\u00e9 Cela \u00abfue un escritor enorme, aunque en los \u00faltimos tiempos, esclavo de su vida, anduviese en caminos literarios muy dudosos\u00bb (p. 67). Esperem tamb\u00e9 opinions discutibles: considerar Unamuno com una refer\u00e8ncia \u00abdenota una falta de madurez, un infantilismo grave y autocompasi\u00f3n\u00bb (p. 71) \u00e9s una afirmaci\u00f3 greu, que nom\u00e9s en aquest \u00e0mbit es pot deixar passar sense exigir m\u00e9s explicacions. No estic segur que \u00abun lector joven de hoy estar\u00eda siempre de parte de Moby Dick y nunca de Ahab, ni siquiera de Ismael\u00bb (p. 51) per\u00f2 l\u2019afirmaci\u00f3 incita al debat; estaria d\u2019acord en canvi que \u00ablas obras de Salgari [\u2026] son ya cl\u00e1sicas <\/i>en la pr\u00e1ctica para generaciones de lectores\u00bb (p. 46); per\u00f2 em temo que l\u2019\u00faltima generaci\u00f3 que coneix el Corsari Negre sigui la de Suso de Toro. Algunes d\u2019aquestes afirmacions ens poden semblar ing\u00e8nues i altres arrogants, per\u00f2 tamb\u00e9 s\u2019encarrega de recordar-nos que l\u2019arrog\u00e0ncia i la innoc\u00e8ncia s\u00f3n pr\u00f2pies de l\u2019escriptor (p. 103).<\/span><\/span><\/span><\/span><\/span><\/p>\n

Dif\u00edcilment, amb un tema tan debatut, l\u2019assagista ser\u00e0 sempre original: en aquest cas, les observacions sobre Cervantes (cap. 8) o sobre el comprom\u00eds dels escriptors (cap. 11) no semblen aportar gran cosa. En d\u2019altres casos, l\u2019autor parteix d\u2019una experi\u00e8ncia personal (l\u2019analfabetisme d\u2019un familiar) per parlar del que significa l\u2019aparici\u00f3 de l\u2019escriptura (cap. 2), per\u00f2 les seves reflexions queden presentades de manera excessivament ing\u00e8nua, potser perqu\u00e8 no t\u00e9 en compte les aportacions fetes en aquest \u00e0mbit per l\u2019antropologia i la filologia. Tamb\u00e9 semblen excessivament arriscades afirmacions com \u00abla relaci\u00f3n padre e hijo, tan poco tratada por la literatura\u00bb (p. 28), especialment durant l\u2019any Proust.<\/span><\/span><\/span><\/span><\/span><\/p>\n

En tot cas, es tracta d\u2019un assaig que, sense pedanteries ni estrid\u00e8ncies, aproxima el lector a l\u2019experi\u00e8ncia liter\u00e0ria, des de la perspectiva de l\u2019autor.<\/span><\/span><\/span><\/span><\/span><\/p>\n

Llu\u00eds Quintana Trias<\/a>   <\/span><\/span><\/span><\/span><\/span>
\nUniversitat Aut\u00f2noma de Barcelona<\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Toro, Suso de. Dentro de la literatura. Madrid: Alianza Editorial, 2022. 185 p. ISBN 978-84-1362-773-1….<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2525","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1302,"filter":"raw","cat_ID":1400,"category_count":1302,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2525"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2525\/revisions"}],"predecessor-version":[{"id":4041,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2525\/revisions\/4041"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2525"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2525"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}