{"id":2541,"date":"2022-05-02T05:41:39","date_gmt":"2022-05-02T03:41:39","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/representar-la-diversitat\/"},"modified":"2026-03-04T14:15:29","modified_gmt":"2026-03-04T13:15:29","slug":"representar-la-diversitat","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/representar-la-diversitat\/","title":{"rendered":"Representar la diversitat"},"content":{"rendered":"

\"\"<\/a>Gallego Cui\u00f1as, Ana (ed.). Nov\u00edsimas: las narrativas latinoamericanas y espa\u00f1olas del siglo XXI.<\/i> Madrid: Iberoamericana; Frankfurt am Main: Vervuert, 2021. 529 p. (Letral. Monograf\u00edas Letral; 9). ISBN 978-84-9192-182-0. 36 \u20ac.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Nov\u00edsimas<\/span><\/span><\/span><\/span><\/span><\/i> es presenta com \u00abla primera aproximaci\u00f3 de conjunt a les narratives en llengua castellana del segle XXI\u00bb, concretament les publicades entre 2001 i 2020 en l\u2019\u00e0mbit llatinoameric\u00e0 i espanyol, i consta d\u2019una s\u00e8rie d\u2019articles presentats per especialistes en literatura del sector acad\u00e8mic des d\u2019una mirada materialista i transfeminista i, per tant, representativa de les tend\u00e8ncies actuals, sense les quals no es pot entendre el panorama literari present.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

<\/p>\n

A mesura que el transc\u00f3rrer del temps avan\u00e7a i les formes culturals s\u2019actualitzen, esdev\u00e9 necessari reflexionar, amb una perspectiva que permeti tenir un cert criteri, sobre la contemporane\u00eftat liter\u00e0ria filla del seu context. Aquest llibre no nom\u00e9s fa una selecci\u00f3 d\u2019obres representatives, sin\u00f3 que tamb\u00e9 ofereix visions cr\u00edtiques i reflexions entorn del seu estatus dins del m\u00f3n. El propi desenvolupament cultural i social ha fet que el <\/i>c\u00e0non literari tradicional s\u2019hagi convertit en un <\/i>dels molts c\u00e0nons possibles i hagi perdut la seva hegemonia, i la <\/i>literatura ha hagut de deixar pas a les <\/i>literatures.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

El desenvolupament de noves expressions ha relegat el paper dels textos cl\u00e0ssics a una utilitat purament acad\u00e8mica i els ha enclaustrat dins les aules com a simples exemples est\u00e8tics anul\u00b7lant el seu significat pol\u00edtic dins la societat. A m\u00e9s, l\u2019evoluci\u00f3 cap a noves formes culturals ha destronat el predomini dels suports f\u00edsics (i.e., el llibre) en favor de les manifestacions ef\u00edmeres, virtuals o pl\u00e0stiques, que requereixen d\u2019una participaci\u00f3 activa i presencial tant de l\u2019autor o l\u2019autora com del p\u00fablic que assisteix, en detriment de l\u2019experi\u00e8ncia solit\u00e0ria de llegir.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Aquests nous procediments requereixen d\u2019un esfor\u00e7 extra per qui vulgui dedicar-se a escriure, ja que no nom\u00e9s haur\u00e0 de crear textos i publicar-los per a la venda, sin\u00f3 tamb\u00e9 adaptar-se a realitzar totes les activitats que acompanyen actualment aquest ofici, que es veu precaritzat i desposse\u00eft de l\u2019aura afavorida que tenia abans i que arriba a fetitxitzar els escriptors i escriptores convertint-los en una mena de mercaderia p\u00fablica a mans dels fen\u00f2mens de masses. En definitiva, s\u2019identifica autor i obra, i ja no nom\u00e9s es volen llegir els seus llibres, sin\u00f3 tamb\u00e9 assistir a l\u2019exhibici\u00f3 de la seva imatge p\u00fablica. Presenciem aix\u00ed la mercantilitzaci\u00f3 de la literatura, que esdev\u00e9 part de la \u00abcultura material\u00bb sota les normes de la \u00abl\u00f2gica del mercat\u00bb \u2013tot i que sempre als marges d\u2019aquest sense poder acabar d\u2019integrar-s\u2019hi.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Aquestes i altres reflexions ben interessants es troben a Nov\u00edsimas<\/i>, amb temes que giren al voltant dels conceptes de producci\u00f3, ideologia, subjectivitat, materialisme, normativitat, dissid\u00e8ncia, contemporane\u00eftat, territorialitat, mercantilitzaci\u00f3, difer\u00e8ncia, anomalia, representaci\u00f3, diversitat, feminisme, tradici\u00f3, resist\u00e8ncia, col\u00b7lectivitat, marginalitat, postmodernitat i identitat entre d\u2019altres, i tot ben acompanyat de bibliografies extenses i completes per a qui vulgui aprofundir-hi.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Mar\u00eda Olivera P\u00e9rez<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>
\nDe la 5a promoci\u00f3 de l\u2019Escola de Llibreria<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>
\nLlibreria Saturnalia<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/a><\/p>\n

El llibre es troba en acc\u00e9s obert<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Gallego Cui\u00f1as, Ana (ed.). Nov\u00edsimas: las narrativas latinoamericanas y espa\u00f1olas del siglo XXI. Madrid: Iberoamericana; Frankfurt am…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2541","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1293,"filter":"raw","cat_ID":1400,"category_count":1293,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2541"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2541\/revisions"}],"predecessor-version":[{"id":4057,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2541\/revisions\/4057"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}