{"id":2573,"date":"2022-02-09T07:48:20","date_gmt":"2022-02-09T06:48:20","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/el-desorden-de-los-libros-de-massimo-gatta\/"},"modified":"2026-03-04T14:15:32","modified_gmt":"2026-03-04T13:15:32","slug":"el-desorden-de-los-libros-de-massimo-gatta","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/el-desorden-de-los-libros-de-massimo-gatta\/","title":{"rendered":"\u00abEl desorden de los libros\u00bb, de Massimo Gatta"},"content":{"rendered":"

\"\"<\/a>Gatta, Massimo. El desorden de los libros<\/i>. Pr\u00f3l., Luigi Mascheroni; ep\u00edl., Jos\u00e9 Luis Melero; trad., Amelia P\u00e9rez de Villar. Madrid: F\u00f3rcola, 2021. 174 p. (Singladuras; 43). ISBN 978-84-17425-02-9. 16,50 \u20ac.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Com pot ser que un bibliotecari d\u2019experi\u00e8ncia reconeguda defensi amb tots els arguments possibles al seu abast els beneficis del desordre en una biblioteca particular? Doncs s\u00ed, aquest llibret de Massimo Gatta, bibliotecari de la Universitat de Molise (It\u00e0lia), \u00e9s un vertader cant al desordre i per comen\u00e7ar posa com a exemple, sense parlar-ne expl\u00edcitament, la seva pr\u00f2pia biblioteca, fotografiada des de diversos angles, plena de piles i piles de llibres i papers, uns sobre els altres fent que el primer patiment d\u2019aquesta pobra bibliotec\u00e0ria de poble sigui pels prestatges que la sustenten, i per la pols que es deu esmunyir entre tantes capes de paper. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

<\/p>\n

No m\u2019estranyaria que Gatta, despr\u00e9s de la lectura del llibre de Roberto Calasso, <\/span><\/span><\/span>Com ordenar una biblioteca<\/span><\/span><\/span><\/i><\/a>, agaf\u00e9s embranzida per emprendre aquest treball minuci\u00f3s de justificaci\u00f3 del desordre com a mode de viure. D\u2019entrada, s\u2019alia amb el prologuista Luigi Mascheroni, que ja ens prepara per al que vindr\u00e0, equiparant el creixement de les biblioteques personals al de les plantes trepadores, que fan que a poc a poc els llibres vagin ocupant tots els racons de la casa.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

L\u2019obra comen\u00e7a amb un petit recorregut hist\u00f2ric pels diversos sistemes d\u2019ordenaci\u00f3 de biblioteques i remet sovint al text de Calasso per reflexionar sobre la metaf\u00edsica de l\u2019ordre dels llibres, que segons la seva opini\u00f3, podria haver estat perfectament un tema debatut per Kant. Per\u00f2 sobretot Gatta ens posa una rere l\u2019altra opinions i teories del desordre que ha anat trobant al llarg dels anys en textos de bibliotecaris, bibli\u00f2fils i escriptors de tota mena. Els dos primers cap\u00edtols s\u00f3n un raig inacabable de dades sobre biblioteques importants i sobre com els seus propietaris han decidit tenir-les organitzades, o no. Hi ha tanta informaci\u00f3 que en algun moment embafa. De fet, aquest breu treball de poc m\u00e9s de 60 p\u00e0gines m\u00e9s aviat sembla ser el fil que lliga i explica l\u2019extensa bibliografia i les nombros\u00edssimes notes al final de l\u2019obra, que superen l\u2019extensi\u00f3 del text (unes 70 p\u00e0gines). <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

No \u00e9s fins al tercer i \u00faltim cap\u00edtol que Gatta desplega els arguments de la seva teoria del desordre i enumera els quatre beneficis que segons la seva opini\u00f3 sustenten la tria d\u2019aquest no-ordre. El primer \u00e9s l\u2019\u00e0nsia, que mant\u00e9 el cor jove, i que es produeix quan un no troba el llibre que busca. El segon, el goig de trobar un llibre que fa mesos que no localitzes, i que proporciona serenitat i felicitat. El tercer, t\u00e9 a veure amb la compra d\u2019un segon o tercer exemplar d\u2019un llibre que no trobes, fent que l\u2019economia del sector editorial millori. I finalment el quart, \u00e9s el que fa que ens familiaritzem amb paraules com \u00abperdre\u00bb, \u00abdesapar\u00e8ixer\u00bb o \u00abrecuperar\u00bb tornant a l\u2019inici de la divagaci\u00f3. Gatta parla dels llibres gaireb\u00e9 com a objectes animats, en el sentit literal de tenir una \u00e0nima viva, i \u00e9s aix\u00ed com li agrada imaginar la promiscu\u00eftat de llibres que es toquen, la barreja de lleng\u00fces, temes i g\u00e8neres. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Com a contrapunt, l\u2019editor hi ha posat un ep\u00edleg de Jos\u00e9 Luis Melero, que precisament defensa tot el contrari de Gatta: l\u2019ordre \u00e9s absolutament necessari per poder gaudir d\u2019una biblioteca operativa, diu.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

El llibre t\u00e9, com deia, una extensa bibliografia agrupada per monografies, articles, cat\u00e0legs i p\u00e0gines web, que cont\u00e9 b\u00e0sicament obres italianes, amb comptades refer\u00e8ncies d\u2019altres proced\u00e8ncies. L\u2019editor ha tingut el detall d\u2019anotar entre claud\u00e0tors si algun d\u2019aquests llibres t\u00e9 versi\u00f3 castellana per a la seva localitzaci\u00f3. Tot seguit es poden trobar 234 notes al text, i finalment un bon \u00edndex onom\u00e0stic.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

En resum, aquest al\u00b7legat al desordre en les biblioteques personals, tot i tenir un to proper al divertiment t\u00e9 al meu parer un exc\u00e9s d\u2019informaci\u00f3 que fa dif\u00edcil de pair el que llegim. \u00c9s un bon recurs a tenir en compte per parlar del concepte d\u2019ordre i de desordre, sobretot com a font bibliogr\u00e0fica. L\u2019erudici\u00f3 de Gatta \u00e9s evident, potser massa. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

N\u00faria Silvestre Gusi<\/span><\/span><\/span><\/span><\/span><\/span>
\nDirectora de la <\/span><\/span><\/span>Biblioteca Municipal de Manlleu BBVA<\/span><\/span><\/span><\/a><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Gatta, Massimo. El desorden de los libros. Pr\u00f3l., Luigi Mascheroni; ep\u00edl., Jos\u00e9 Luis Melero; trad.,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2573","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1345,"filter":"raw","cat_ID":1400,"category_count":1345,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2573"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2573\/revisions"}],"predecessor-version":[{"id":4089,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2573\/revisions\/4089"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}