{"id":2629,"date":"2021-09-13T06:47:04","date_gmt":"2021-09-13T04:47:04","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/calaix-de-sastre-del-crim\/"},"modified":"2026-03-04T14:15:37","modified_gmt":"2026-03-04T13:15:37","slug":"calaix-de-sastre-del-crim","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/calaix-de-sastre-del-crim\/","title":{"rendered":"Calaix de sastre del crim"},"content":{"rendered":"

\"\"<\/a>Lozano, Antonio. Lo leo muy negro: traves\u00edas por cr\u00edmenes reales e imaginarios<\/i>. Barcelona: Destino, 2021. 422 p. (Imago mundi; 311). ISBN 978-84-233-5860-1. 19,90 \u20ac.<\/span><\/span><\/span><\/span><\/p>\n

Que el g\u00e8nere negre i polic\u00edac gaudeix ara d\u2019una certa popularitat al nostre pa\u00eds \u00e9s indubtable, donada la diversitat de t\u00edtols que es publiquen cada any \u2014tant originals com traduccions\u2014, tamb\u00e9 pel reguitzell de festivals que es dediquen a promoure\u2019l per la geografia espanyola o la quantitat de s\u00e8ries que omplen les plataformes televisives. Aquests darrers anys a la molta ficci\u00f3 s\u2019hi va afegint a poc a poc una mica de reflexi\u00f3, el necessari assaig. Per aquest cam\u00ed ens arriba ara Lo leo muy negro: traves\u00edas por cr\u00edmenes reales e imaginarios<\/i>, d\u2019Antonio Lozano. L\u2019autor, periodista col\u00b7laborador habitual de revistes liter\u00e0ries i suplements culturals, escriptor, traductor i actual director de la col\u00b7lecci\u00f3 Serie Negra<\/i> de RBA ens ofereix un recull d\u2019articles, molts d\u2019ells publicats anteriorment en diversos mitjans (blogs com Lo leo muy negro<\/i> \u2014del que el llibre pren el t\u00edtol\u2014 o Negro sobre negro<\/i>; revistes com Libr\u00fajula, Mercurio, CLAPP…<\/i>), que conformen un personal recorregut pel m\u00f3n del crim, tant real com de ficci\u00f3.<\/span><\/span><\/span><\/span><\/p>\n

<\/p>\n

Estructurat en nou cap\u00edtols, amb una entrada i diversos articles cadascun, Lo leo muy negro<\/i> \u00e9s un llibre pensat per espigolar-hi lectures m\u00e9s que no pas per fer-ne una lectura seguida de cap a cap. Hi trobem multitud d\u2019an\u00e8cdotes, com la cerim\u00f2nia d\u2019iniciaci\u00f3 dels candidats a formar part del Detection Club, d\u2019on ve l\u2019expressi\u00f3 \u00abaplicar el tercer grau\u00bb o la hist\u00f2ria del Cluedo; retrats d\u2019autors i personatges cl\u00e0ssics com Truman Capote, Dashiell Hammett, Sherlock Holmes, Philip Marlowe, James Bond, Simenon o Jim Thompson, i d\u2019altres menys populars per\u00f2 prou interessants com Leigh Brackett, Jean-Patrick Manchette o Carter, de Ted Lewis. Tamb\u00e9 cr\u00f2niques, on el lector aprendr\u00e0 com realitzar un crim perfecte, o qu\u00e8 cal fer per tenir \u00e8xit en el robatori d\u2019un banc; les ocasions en qu\u00e8 la realitat es torna inversemblant, com la hist\u00f2ria dels set detectius a sou de la New York Public Library contractats per recuperar els milers de llibres que cada any no s\u00f3n retornats al servei de pr\u00e9stec, o la s\u00edndrome d\u2019Estocolm entre altres.<\/span><\/span><\/span><\/span><\/p>\n

Com veiem, el llibre \u00e9s producte del treball period\u00edstic d\u2019Antonio Lozano on hi apareixen tamb\u00e9 les seves d\u00e8ries: les s\u00e8ries televisives, els assassins en s\u00e8rie (reals, literaris i cinematogr\u00e0fics) o el true crime<\/i>; per\u00f2 potser sigui en les cr\u00f2niques sobre les impressions produ\u00efdes per autors entrevistats al llarg dels anys com James Ellroy, Sue Grafton, John Connolly, Richard Price, Harlan Coben, Don Winslow, Philip Kerr, Petros M\u00e0rkaris, D.B. John o Jo Nesb\u00f8, on trobem el m\u00e9s semblant al periodisme del John Williams de Back to the Badlands<\/i> que s\u2019ha fet mai per aqu\u00ed. D\u2019igual manera cal destacar el cap\u00edtol \u00abLos puntos negros del g\u00e9nero negro\u00bb, sobre el masclisme del g\u00e8nere cl\u00e0ssic o les trampes del m\u00e0rqueting amb etiquetes com la del domestic noir<\/i>, cap\u00edtol que malgrat que es queda curt, cal recon\u00e8ixer-li la valentia per la falta de costum en el nostre pa\u00eds de fer cr\u00edtica i dir les coses pel seu nom, en un entorn acostumat a tirar-se floretes els uns als altres.<\/span><\/span><\/span><\/span><\/p>\n

Potser a l\u2019hora de trobar-li pegues, el lector hauria agra\u00eft que la bibliografia hagu\u00e9s estat alfabetitzada en lloc de citada per ordre d\u2019aparici\u00f3, o fins i tot al final de cada cap\u00edtol. Malgrat aix\u00f2, Lo leo muy negro <\/i>\u00e9s un fant\u00e0stic calaix de sastre del crim amb misteri incl\u00f2s perqu\u00e8, encara que a l\u2019inici \u2014a la \u00abNota del autor\u00bb\u2014 se\u2019ns informa que \u00abla ausencia de autores espa\u00f1oles en este libro se debe exclusivamente a que la pr\u00e1ctica totalidad de mi educaci\u00f3n literaria criminal se ha producido a trav\u00e9s de t\u00edtulos for\u00e1neos\u00bb (p. 15), en la introducci\u00f3 del cap\u00edtol \u00abCosecha negra\u00bb s\u2019anuncia un apartat, \u00abTres casos espa\u00f1oles (y uno latinoamericano)\u00bb (p. 256) que, en acabar de llegir el cap\u00edtol, el lector s\u2019adona de la seva abs\u00e8ncia. Decisi\u00f3 editorial? Joc detectivesc de l\u2019autor? Podria ser pel fet que dos dels autors \u2014Domingo Villar i Ernesto Mallo\u2014 els publica Siruela? I els altres dos? Potser Juan Mars\u00e9, que al \u00abPr\u00f3logo\u00bb (p.17) Lozano ens assegura \u00abque si perseveran en la lectura de este libro topar\u00e1n con un Juan Mars\u00e9 que refuta indignado estos aires de superioridad de la novela negra\u00bb, i despr\u00e9s no es torna a trobar cap rastre de l\u2019escriptor a la resta del llibre. I l\u2019altre? Misteri!<\/span><\/span><\/span><\/span><\/p>\n

Jordi Canal<\/a><\/span><\/span><\/span><\/span>
\nBibliotecari<\/span><\/span><\/span><\/span><\/p>\n

\"\"<\/a>Podeu fer-hi un tast de les primeres p\u00e0gines de l’obra.<\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Lozano, Antonio. Lo leo muy negro: traves\u00edas por cr\u00edmenes reales e imaginarios. Barcelona: Destino, 2021….<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2629","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1345,"filter":"raw","cat_ID":1400,"category_count":1345,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2629"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2629\/revisions"}],"predecessor-version":[{"id":4145,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2629\/revisions\/4145"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}