{"id":2658,"date":"2021-05-28T05:15:27","date_gmt":"2021-05-28T03:15:27","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/apunts-de-literatura-russa-i-un-afegit-polones\/"},"modified":"2026-03-04T14:15:40","modified_gmt":"2026-03-04T13:15:40","slug":"apunts-de-literatura-russa-i-un-afegit-polones","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/apunts-de-literatura-russa-i-un-afegit-polones\/","title":{"rendered":"\u00abApunts de literatura russa i un afegit polon\u00e8s\u00bb"},"content":{"rendered":"

\"\"<\/a>Dyakonova, X\u00e8nia. Apunts de literatura russa i un afegit polon\u00e8s.<\/i> Figueres: Cal\u00b7l\u00edgraf, 2020. 296 p. ISBN 978-84-122123-5-8. 20 \u20ac.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Esteu buscant un llibre m\u00e9s sobre literatura russa? On apareguin formalment i rigorosa els autors i les obres m\u00e9s importants…? Doncs aquest volum no \u00e9s el que busqueu. Ja ho adverteix l\u2019autora al pr\u00f2leg: \u00abNo em proposo tra\u00e7ar un panorama global de la literatura russa\u00bb. En canvi, tenim una obra singular i deliciosa, on potser falten cl\u00e0ssics per\u00f2 abunden rareses i curiositats. Sab\u00edeu, per exemple, que Puixkin es va mofar po\u00e8ticament de la Immaculada Concepci\u00f3, cosa que li va portar problemes amb el tsar Nicolau I? O que a G\u00f3gol li agradava tricotar? Que Tx\u00e9khov era metge? Que Txaikovski va enregistrar la veu de Tolstoi en un fon\u00f2graf?<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

<\/p>\n

El llibre est\u00e0 format per un conjunt de peces (ressenyes, articles, entrevistes, pr\u00f2legs, fragments de traduccions pr\u00f2pies…), la majoria publicades originalment al diari Ara<\/i> entre 2012 i 2020, i relacionades amb les darreres publicacions disponibles en catal\u00e0 i castell\u00e0 sobre literatura russa (tot i que tamb\u00e9 s\u2019inclou alguna obra descatalogada). Aix\u00ed, no estem parlant necess\u00e0riament de les obres m\u00e9s universals i cabdals en aquest idioma, sin\u00f3 de les novetats disponibles al nostre \u00e0mbit ling\u00fc\u00edstic. <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

L\u2019edici\u00f3 es acurada i dona sentit al conjunt, no \u00e9s un simple recull. El pr\u00f2leg ja posa de manifest que estem davant d\u2019una autora intel\u00b7ligent, endre\u00e7ada i amb humor. El gruix de l\u2019obra s\u2019estructura en tres parts: cl\u00e0ssics russos del segle XIX, primera meitat del segle XX, i segona meitat del segle XX i principis del XXI. Cada part s\u2019inicia amb una cronologia amb els esdeveniments m\u00e9s importants de l\u2019\u00e8poca que cobreix (la primera part comen\u00e7a el 1799 amb el naixement de Puixkin, i la tercera i \u00faltima acaba el 2017 amb la mort de Makanin).<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Van desfilant escriptors i poetes russos cl\u00e0ssics, alguns coneguts (Puixkin, Turgu\u00e9nev, Dostoievski, Tolstoi, Tx\u00e9khov) i altres menys (Oneguin, L\u00e9rmontov, Saltikov-Sxedr\u00edn, Leskov). Tamb\u00e9 moderns (Andr\u00e9iev, Gorki, Bunin, Kupr\u00edn, Blok, Beli, Zamiatin, Mandelstam, Bulg\u00e0kov, Tsvet\u00e0ieva, Tini\u00e0nov, B\u00e0bel, Nab\u00f3kov, Plat\u00f3nov, Grossman, Dombrovski, Soljenitsin, Ierof\u00e9iev, Brodsky, Dovl\u00e0tov) i contemporanis (Lunguin\u00e0, K\u00faixner, Makanin, Petruix\u00e9vskaia, Aleksi\u00e9vitx \u2013Premi Nobel\u2013 Buida, \u00d3ssipov, P\u00e0vlova i Kap\u00fastina).<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Val a dir que les peces no sempre s\u00f3n meres ressenyes: l\u2019autora sovint posa el focus sobre temes no centrals de l\u2019obra, per\u00f2 no per aix\u00f2 menys interessants, i proporciona molta informaci\u00f3 del context hist\u00f2ric i social, aix\u00ed com reflexions personals sobre la vida dels autors i altres personatges i artistes amb qui es relacionaven (apareixen Xostak\u00f3vitx i Txaikovski, per exemple).<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Les traduccions s\u00f3n importants. L\u2019autora ho sap molt b\u00e9, i els traductors sempre apareixen mencionats i valorats. Aqu\u00ed, com no podia ser d\u2019una altra manera, hem de fer menci\u00f3 especial a Anna Rubi\u00f3<\/span><\/span><\/span><\/span><\/span>, professora de la FIMA<\/a> i cotraductora d\u2019algunes obres importants en polon\u00e8s. Tamb\u00e9 apareixen traduccions de l\u2019autora (en aquest cas, en comptes d\u2019autoressenyar-se, cita fragments). <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Al final tenim dos ap\u00e8ndixs, que arrodoneixen l\u2019obra. El primer compleix la promesa del t\u00edtol sobre els escriptors polonesos. Entre els mencionats, emergeixen clarament dos noms: Szymborska, poeta Premi Nobel, i Zagajewski, poeta i assagista desaparegut ara fa dos mesos. De la primera disposem de sucosa informaci\u00f3 sobre la seva traject\u00f2ria liter\u00e0ria i hist\u00f2ria personal en les ressenyes sobre Prosas reunidas<\/i>, Siempre lecturas no obligatorias<\/i>, i Instant<\/i> (ara s\u00ed, poesia). Quant al segon, no podem deixar de llegir les quatre peces que trobarem: dues entrevistes, la ressenya sobre el poemari Asimetr\u00eda, <\/i>i la corresponent a l\u2019assaig Releer a Rilke<\/i>. La resta d\u2019autors amb obres ressenyades s\u00f3n Herbert, Mi\u0142osz (un altre Premi Nobel de literatura), Czapski, l\u2019irreverent i polifac\u00e8tic Mro\u017cek, Filipowicz (prosista deixeble de Tx\u00e9khov, tamb\u00e9 conegut per ser la parella de Szymborska), Swir (versi\u00f3 curta de \u015awirszczy\u0144ska), i una entrevista amb el jove poeta contemporani R\u00f3\u017cycki. El darrer article fa honor al t\u00edtol d\u2019aquesta secci\u00f3: \u00ab… i un epistolari russoalemany\u00bb. Es tracta del segon volum de la correspond\u00e8ncia entre Rilke i Lou Andreas-Salom\u00e9, una arist\u00f2crata russa d\u2019origen alemany.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

El segon ap\u00e8ndix cont\u00e9 notes autobiogr\u00e0fiques de l\u2019autora. Origin\u00e0ria de Sant Petersburg i de fam\u00edlia cultivada, viu a Catalunya des del 2002. \u00c9s poeta i traductora, i ha publicat en llengua russa i catalana. D\u2019aquesta manera, resulta un nexe perfecte entre la literatura d\u2019aquell pa\u00eds i els lectors catalans.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Espero que amb tu, lector\/a, aquesta obra funcioni. Amb mi ho ha fet, perqu\u00e8 ja he agafat un llibre citat en pr\u00e9stec en format e-llibre i n\u2019he adquirit dos m\u00e9s en paper.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Miguel Navas Fern\u00e1ndez<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>
\nMuseu de Ci\u00e8ncies Naturals de Barcelona. Centre de Documentaci\u00f3<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Dyakonova, X\u00e8nia. Apunts de literatura russa i un afegit polon\u00e8s. Figueres: Cal\u00b7l\u00edgraf, 2020. 296 p….<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2658","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1344,"filter":"raw","cat_ID":1400,"category_count":1344,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2658"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2658\/revisions"}],"predecessor-version":[{"id":4174,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2658\/revisions\/4174"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2658"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2658"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}