{"id":2775,"date":"2020-06-17T07:03:58","date_gmt":"2020-06-17T05:03:58","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/ple-de-preguntes\/"},"modified":"2026-03-04T14:15:50","modified_gmt":"2026-03-04T13:15:50","slug":"ple-de-preguntes","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/ple-de-preguntes\/","title":{"rendered":"Ple de preguntes…"},"content":{"rendered":"

\"\"<\/a>Lama, Mar\u00eda Xes\u00fas; Losada, Elena; Resano, Dolores (eds.). Papeles del crimen: mujeres y violencia en la ficci\u00f3n criminal. <\/i>Barcelona: Edicions de la Universitat de Barcelona, 2019. 202 p. (Col\u00b7lecci\u00f3 CRIC; 2). ISBN 978-84-9168-322-3. 22 \u20ac.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Papeles del crimen <\/span><\/span><\/span><\/i>\u00e9s el t\u00edpic recull d\u2019articles escrits per professors universitaris al voltant d\u2019un tema i editat per una editorial universit\u00e0ria. D\u2019aquests llibres, n\u2019hi ha d\u2019interessants i de no tan interessants, per\u00f2 aquest, que tracta de dones i g\u00e8nere negre, a priori, ha despertat el meu inter\u00e8s. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

<\/p>\n

Del pr\u00f2leg, signat per les editores liter\u00e0ries d\u2019aquest volum, destaca que no hi ha cap intenci\u00f3 de definir el g\u00e8nere negre ni els seus l\u00edmits. Em pregunto per qu\u00e8 no. Simplement adverteixen que faran servir, quan parlin del g\u00e8nere, el terme \u00abnarrativa criminal\u00bb i que compr\u00e8n fins i tot \u00abla textualitat f\u00edlmica\u00bb. B\u00e9, de fet, des d\u2019aquest moment, la paraula \u00abg\u00e8nere\u00bb es far\u00e0 servir majorit\u00e0riament per parlar del g\u00e8nere femen\u00ed. S\u00ed que delimiten temporalment a qu\u00e8 es refereixen: des del 1979, \u00aben que Lourdes Ortiz public\u00f3 Picadura mortal<\/i>, primera novela criminal moderna de autoria femenina en Espa\u00f1a\u00bb.[i]<\/span><\/span><\/span><\/span><\/span><\/a> Com que no han fet cap aclariment previ, no s\u00e9 qu\u00e8 entenen per novel\u00b7la criminal moderna, i no s\u00e9, realment, si s\u2019equivoquen quan no tenen en compte autores de \u00abBolsilibros\u00bb dels anys cinquanta, com Mar\u00eda Fernanda Cano Caparr\u00f3s, Mar\u00eda Rosa N\u00fa\u00f1ez Gonz\u00e1lez o Mar\u00eda Victoria Rodoreda Sayol, que escrivien amb els pseud\u00f2nims de Mary Francis Colt, Ros M. Talbot i Vic Logan, respectivament. Em faig preguntes.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Continuem, i en el mateix pr\u00f2leg, esmenten la base de dades MUNCE<\/a>, on estan catalogats, ens diuen, 205 textos de 91 autores de novel\u00b7la criminal a Espanya. Lloable, per\u00f2 em pregunto si iniciatives com Sisters in Crime<\/a>,<\/i> l\u2019associaci\u00f3 creada per Sara Paretsky en 1986 per promocionar les novel\u00b7les d\u2019aquest g\u00e8nere escrites per dones, que promou beques, seminaris i projectes, tindria sentit al nostre pa\u00eds i per qu\u00e8 no hi ha associacions relacionades amb el g\u00e8nere negre a Espanya. M\u00e9s preguntes.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Papeles del crimen<\/span><\/span><\/span><\/i> est\u00e0 dividit en quatre parts on es recullen estudis reunits entorn d\u2019un motiu central. La primera part \u00e9s un marc introductori que intenta oferir una panor\u00e0mica diacr\u00f2nica de la narrativa criminal escrita per dones a Espanya, i on apareix, per primera vegada en aquest recull, exceptuant el pr\u00f2leg, el terme \u00abgris asfalt\u00bb. No ens detindrem a reflexionar sobre aquest terme, perqu\u00e8 ara nom\u00e9s se\u2019n fa una petita menci\u00f3. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Despr\u00e9s hi ha tres blocs tem\u00e0tics que tenen estudis amb tres enfocaments diferents: <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Un primer, amb representacions de la viol\u00e8ncia contra la dona i la viol\u00e8ncia de les mateixes figures femenines (faran servir com a exemple obres de Gim\u00e9nez Bartlett, Sara Mesa, Merc\u00e8 Rodoreda i Fred Vargas). Aquest bloc s\u2019inicia amb el comentari de la novel\u00b7la Donde nadie te encuentre <\/i>d\u2019Alicia Gim\u00e9nez Bartlett (Destino, 2011), amb una protagonista, Teresa Pla (que despr\u00e9s va fer servir el nom de Durruti), que defineixen com de sexe no binari o intersexual. Si m\u00e9s no, \u00e9s interessant l\u2019elecci\u00f3 de l\u2019exemple. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

El segon bloc analitzar\u00e0 obres d\u2019Anna Maria Villalonga, de Laura Gomara, Donna Leon i una comparativa dels relats d\u2019Akashic Noir<\/i>, que ens portaran a con\u00e8ixer personatges de Delhi, Bombai, Ciutat de M\u00e8xic o Buenos Aires. Aquest bloc t\u00e9 uns temes recurrents. Apareix el terme, per exemple, \u00abliteratura de crisi\u00bb, com si fos un subg\u00e8nere. I a m\u00e9s, s\u2019intenta legitimar el de \u00abgris asfalt\u00bb per anomenar aquesta suposada literatura de crisi que va sorgir al voltant de la del 2008 i que t\u00e9 uns denominadors comuns: novel\u00b7la urbana, vulnerabilitat dels seus personatges davant de la crisi que fa que puguin ser v\u00edctimes o perpetradors de viol\u00e8ncia, i la ciutat, que mant\u00e9 una dualitat com a v\u00edctima i agressora. Per\u00f2, Manchette no deia ja, que estem parlant de la literatura de la crisi, quan parlem de g\u00e8nere negre?[ii]<\/span><\/span><\/span><\/span><\/span><\/a> La Marsella de Jean-Claude Izzo o l\u2019Oro Negro<\/i> de Dominique Manotti s\u00f3n de \u00abgris asfalt\u00bb? No hi pots percebre com se l\u2019estimen els seus personatges i com se senten agredits per ella, al mateix temps? M\u00e9s preguntes.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

El volum conclou amb un tercer bloc, sobre les construccions f\u00edlmiques i esc\u00e8niques de la viol\u00e8ncia i s\u2019analitzen les propostes d\u2019Ant\u00edgona furiosa<\/i>, les obres de Sarah Kane, les adaptacions de Margarita Alexandre, Mary Harron, Guinevere Turner i de la s\u00e8rie de Netflix, Jessica Jones<\/i>. Visibilitat, den\u00fancia, suposat apoderament de la dona s\u00f3n paraules clau d\u2019aquesta \u00faltima part. Per a mi, per cert, un dels estudis m\u00e9s interessants \u00e9s el que analitza la interpretaci\u00f3 feminista de l\u2019American Psicho<\/i> de Bret Easton Ellis que fan la directora i guionista de la pel\u00b7l\u00edcula.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Des dels anys noranta s\u2019han publicat un seguit d\u2019estudis sobre la relaci\u00f3 de la viol\u00e8ncia i la literatura, des de l\u2019\u00e0mbit literari i fins i tot penalista. El 2007, per exemple, Gonzalo Quintero publicava \u00abLos papeles del crimen en la literatura\u00bb,[iii]<\/span><\/span><\/span><\/span><\/span><\/a> amb un t\u00edtol molt similar al que ens ocupa. Als Pa\u00efsos Baixos, el 2008 es publicava Violence in French and Francophone literature and film<\/i>,[iv]<\/span><\/span><\/span><\/span><\/span><\/a> i si parlem de dona, viol\u00e8ncia i literatura, tamb\u00e9 \u00e9s un tema recurrent. <\/i>La difer\u00e8ncia principal a Papeles del crimen<\/i> resideix en l\u2019afany d\u2019afavorir el localisme, de voler traslladar aquesta an\u00e0lisi a autores properes relacionades amb el g\u00e8nere negre, en el temps i en l\u2019espai. \u00abAutores de km 0\u00bb. No sabria dir si \u00e9s un bon motiu per publicar un recull d\u2019estudis com aquest, per\u00f2 del que estic totalment segura \u00e9s que m\u2019ha generat moltes, moltes preguntes…<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

…per\u00f2 molt poques respostes.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Ilumi Ramos<\/span><\/span><\/span><\/span><\/span><\/span>
\nDirectora de la Biblioteca Josep M. L\u00f3pez-Pic\u00f3<\/a>, de Vallirana<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Aqu\u00ed<\/a> podeu fer un tast de les primeres p\u00e0gines de l’obra. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

 <\/p>\n
\n
\n

[i]<\/span><\/span><\/span><\/span><\/span><\/a> Publicada originalment per Sedmay el 1979. Reedici\u00f3 moderna: Vers\u00e1til, 2019.<\/span><\/span>
\n[ii]<\/span><\/span><\/span><\/span><\/span><\/a> Jean-Patrick Manchette (1942-1995)<\/span><\/span>
\n[iii]<\/span><\/span><\/span><\/span><\/span><\/a> Dins d\u2019Arte y crimen.<\/i> C\u00e1diz: Diputaci\u00f3n Provincial de C\u00e1diz, 2007, p. 11-30.<\/span><\/span>
\n[iv]<\/span><\/span><\/span><\/span><\/span><\/a> Amsterdam: Rodopi. ISBN 978-90-420-2462-5.<\/span><\/span><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Lama, Mar\u00eda Xes\u00fas; Losada, Elena; Resano, Dolores (eds.). Papeles del crimen: mujeres y violencia en…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2775","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1300,"filter":"raw","cat_ID":1400,"category_count":1300,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2775"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2775\/revisions"}],"predecessor-version":[{"id":4291,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2775\/revisions\/4291"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2775"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2775"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}