{"id":2812,"date":"2020-03-09T07:02:01","date_gmt":"2020-03-09T06:02:01","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/que-es-una-autora\/"},"modified":"2026-03-04T14:15:53","modified_gmt":"2026-03-04T13:15:53","slug":"que-es-una-autora","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/que-es-una-autora\/","title":{"rendered":"Qu\u00e8 \u00e9s una autora?"},"content":{"rendered":"<p class=\"MsoNoSpacing text-align-justify\"><a data-entity-type=\"\" data-entity-uuid=\"\" href=\"https:\/\/icariaeditorial.com\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"drupal-import-img\" alt=\"\" data-entity-type=\"\" data-entity-uuid=\"\" height=\"240\" src=\"\/edl\/wp-content\/inici_blog_EdL\/2020\/coberta_que_es_una_autora.png\" width=\"150\" \/><\/a><span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">P\u00e9rez Fontdevila, Aina; Torras Franc\u00e8s, Meri (eds.) <i>\u00bfQu\u00e9 es una autora?: encrucijadas entre g\u00e9nero y autor\u00eda<\/i>. Barcelona: Icaria, 2019. 335 p. (Academia: mujeres y culturas; 175)., ISBN 978-84-9888-901-7. 24 \u20ac.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p class=\"MsoNoSpacing text-align-justify\"><span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">Quina \u00e9s la relaci\u00f3 entre dona i escriptura? Escrivim igual dones i homes? El recull de treballs que ens ocupa ens apropa a la complexitat que comporta escriure des d\u2019una posici\u00f3 excepcional.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p><!--break--><\/p>\n<p class=\"MsoNoSpacing text-align-justify\"><span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">El pr\u00f2leg de les editores resulta molt \u00fatil per dotar-nos del marc referencial on s\u2019insereixen les diverses aportacions que entronquen en una mateixa an\u00e0lisi: \u00abc\u00f3mo se han definido las relaciones entre el g\u00e9nero sexual y los atributos que cualifican al creador\/a cultural\u00bb.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p class=\"MsoNoSpacing text-align-justify\"><span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">Qu\u00e8 \u00e9s una autora? La pregunta \u00e9s complexa, com ho mostra la dificultat per ubicar en el corpus literari l\u2019obra de les dones que escriuen i que han estat i s\u00f3n encara sovint invisibles.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p class=\"MsoNoSpacing text-align-justify\"><span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">Els onze cap\u00edtols del llibre encaren la q\u00fcesti\u00f3 des d\u2019\u00f2ptiques diverses: la contraposici\u00f3 autor\/autora; la tra\u00e7abilitat i la visibilitat de les obres escrites per dones; l\u2019autora com a \u00e9sser doblement excepcional, en tant que dona i persona que escriu; la met\u00e0fora del part i la relaci\u00f3 entre el corpus literari i el cos autorial. Els dos darrers cap\u00edtols surten del concepte estricte d\u2019autoria liter\u00e0ria per parlar-nos de cinema i de feminisme comunitari.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p class=\"MsoNoSpacing text-align-justify\"><span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">Aquesta obra col\u00b7lectiva s\u2019insereix en el debat acad\u00e8mic m\u00e9s que en la divulgaci\u00f3. Els articles s\u2019acompanyen de la corresponent bibliografia de refer\u00e8ncia, que ens permet continuar explorant els discursos plantejats a cadascuna de les aportacions.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p class=\"MsoNoSpacing text-align-justify\"><span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">La meva ressenya la clou una de les seves autores, Maria-Merc\u00e8 Mar\u00e7al, qui fa una aportaci\u00f3 for\u00e7a po\u00e8tica a l\u2019antologia. Ella ens diu: \u00ab[&#8230;] toda escritora [&#8230;] ha traspasado el umbral de un mundo \u2014el de la palabra en su dimensi\u00f3n p\u00fablica y social\u2014 que no le estaba destinado, y en el cual su presencia es sospechosa y, en el sentido de que no es vista como necesaria, prescindible: superflua\u00bb (p. 70).<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p class=\"MsoNoSpacing text-align-justify\"><span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><i><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">\u00bfQu\u00e9 es una autora?<\/span><\/span><\/span><\/i><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\"> \u00e9s una aposta cr\u00edtica, densa, a favor de les dones que han creuat aquest llindar.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p class=\"MsoNoSpacing text-align-justify\"><a href=\"http:\/\/www.neusarques.com\/\" target=\"_blank\"><span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">Neus Arqu\u00e9s<\/span><\/span><\/span><\/span><\/span><\/span><\/a><br \/>\n<span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">Escriptora i professora de l\u2019Escola de Llibreria. Autora de <i>Curso de escritura para mujeres muy ocupadas<\/i> (Alba).<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p class=\"MsoNoSpacing text-align-justify\"><span style=\"font-size:11pt\"><span style=\"line-height:150%\"><span style=\"font-family:Calibri,sans-serif\"><span lang=\"CA\" style=\"font-size:12.0pt\"><span style=\"line-height:150%\"><span style=\"font-family:&quot;Arial&quot;,&quot;sans-serif&quot;\">Nota de la redacci\u00f3. A l\u2019enlla\u00e7 <a href=\"http:\/\/www.ub.edu\/adhuc\/sites\/default\/files\/Indice%20y%20prologo_Que%20es%20una%20autora.pdf\" target=\"_blank\">seg\u00fcent<\/a> podreu veure el sumari i la presentaci\u00f3 de l\u2019obra.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>P\u00e9rez Fontdevila, Aina; Torras Franc\u00e8s, Meri (eds.) \u00bfQu\u00e9 es una autora?: encrucijadas entre g\u00e9nero y&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2812","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1318,"filter":"raw","cat_ID":1400,"category_count":1318,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2812"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2812\/revisions"}],"predecessor-version":[{"id":4328,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2812\/revisions\/4328"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}