{"id":2825,"date":"2020-02-05T07:57:39","date_gmt":"2020-02-05T06:57:39","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/terra-de-lletres-el-paisatge-de-catalunya-en-60-visites-literaries\/"},"modified":"2026-03-04T14:15:54","modified_gmt":"2026-03-04T13:15:54","slug":"terra-de-lletres-el-paisatge-de-catalunya-en-60-visites-literaries","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/terra-de-lletres-el-paisatge-de-catalunya-en-60-visites-literaries\/","title":{"rendered":"\u00abTerra de lletres: el paisatge de Catalunya en 60 visites liter\u00e0ries\u00bb"},"content":{"rendered":"

\"\"<\/a>Llavina, Jordi (ed.).Terra de lletres: el paisatge de Catalunya en 60 visites liter\u00e0ries. <\/i>Barcelona: Comanegra, 2018. 270 p. ISBN 978-84-17188-28-3. 20 \u20ac.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Talment com diu el t\u00edtol del llibre, aquesta obra a cura de Jordi Llavina consisteix en un recorregut per seixanta textos sobre paisatges catalans, escrits per una seixantena de grans autors, reconeguts i seleccionats per en Llavina. Autors d\u2019aqu\u00ed i d\u2019all\u00e0, textos en catal\u00e0 i en castell\u00e0, sobre Catalunya, sobre els catalans, sobre el paisatge i els seus costums. Autors dels segles XIX i XX que han copsat amb lletres la terra que han admirat, la terra que han estimat o els ha donat aixopluc. Certament, podem dir que \u00e9s una geografia liter\u00e0ria.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

<\/p>\n

Els textos seleccionats provenen de novel\u00b7les, d\u2019obres memorial\u00edstiques, de dietaris i en dos casos \u00fanicament, d\u2019obres l\u00edriques: la d\u2019en Xavier Amor\u00f3s i el paisatge de Pradell de la Teixeta, i en Joan Margarit i la seva descripci\u00f3 de Montju\u00efc. La intencionalitat \u00e9s que el pa\u00eds hi quedi representat de manera equilibrada i proporcionada, que s\u2019hi representi la plana i la muntanya, les platges, els pobles i les grans ciutats… tot un m\u00f3n en cada rac\u00f3 de Catalunya. I podem constatar que en Llavina se\u2019n surt prou b\u00e9, fent una bona tria d\u2019autors i una molt bona selecci\u00f3 de textos representatius. Tot i aix\u00ed, sabem certament que la capital del pa\u00eds sempre ha tingut m\u00e9s pes en la creaci\u00f3 liter\u00e0ria, fet que constatem en Terra de lletres<\/i>, dels seixanta textos, setze pertanyen a la ciutat de Barcelona.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Cada cap\u00edtol est\u00e0 dedicat a un autor diferent, l\u2019ordre de cap\u00edtols \u00e9s alfab\u00e8tic seguint el cognom de l\u2019autor seleccionat. I per a cada cap\u00edtol i de forma introduct\u00f2ria, l\u2019autor ha triat una frase il\u00b7lustrativa del text, un aut\u00e8ntic tractat breu del paisatge que serveix com a reclam per a la lectura.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Aix\u00ed podem trobar tot un seguit d\u2019escrits d\u2019autors ben diversos que donen compte d\u2019un pa\u00eds petit per\u00f2 ben variat, un pa\u00eds que va de la muntanya a la plana, del poble a la ciutat… divers per\u00f2 molt interessant.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Aquesta geografia liter\u00e0ria recorre pobles com el Cadaqu\u00e9s d\u2019en Josep Pla o Sitges, amb Josep Maria Planas, pobles t\u00edpics que han inspirat poetes i narradors al llarg del temps. Comarques com l\u2019Alt Empord\u00e0, de Montserrat Vayreda, autors cl\u00e0ssics com Jacint Verdaguer i la seva estimada Cerdanya, fins arribar a autors contemporanis com Jaume Cabr\u00e9 o Quim Monz\u00f3. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Destacar el darrer cap\u00edtol, d\u2019Olga Xirinacs, que clou el llibre, dedicat a la Costa Daurada, que ben encertadament Llavina ha situat com a tancament de l\u2019obra. Cap\u00edtol dedicat a la costa i com a contrapunt final a l\u2019aigua, configuradora de terres, creadora de vida: \u00abAigua antag\u00f2nica, oposada, paradoxal perqu\u00e8 uneix i separa; perqu\u00e8 \u00e9s salvatge i dominada\u00bb.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Alhora, cal que remarquem que en tot el llibre el fil conductor \u00e9s la descripci\u00f3 d\u2019indrets sense una ruta establerta, no hi ha llocs primers ni darrers, ni millors ni pitjors. \u00c9s el lector el que crea el seu propi i \u00fanic viatge, \u00e9s ell el que escull el seu itinerari per fer-lo personal.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Esmentar tamb\u00e9 la coberta del llibre. Mirar-la, palpar-la t\u2019evoca la terra en si mateixa, com a substrat del paisatge. Tant pel color com pel tacte rug\u00f3s, \u00e9s inevitable fer una associaci\u00f3 directa al substrat que ens sost\u00e9. I dins d\u2019aquest substrat trobem una mena de mapa del nostre pa\u00eds, Catalunya. \u00c9s un mapa-llibre de seixanta tastos de paisatge que ens conviden a llegir tota l\u2019obra completa.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

En definitiva, l\u2019obra d\u2019en Jordi Llavina ens serveix per passejar per Catalunya llegint els grans autors que han enfortit la imatgeria de la nostra terra, la nostra manera de ser, la nostra manera de veure\u2019ns, la nostra cultura.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Fina Olivella Cusc\u00f3<\/span><\/span><\/span><\/span><\/span><\/span>
\nDe la 4a promoci\u00f3 de l\u2019Escola de Llibreria<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Llavina, Jordi (ed.).Terra de lletres: el paisatge de Catalunya en 60 visites liter\u00e0ries. Barcelona: Comanegra,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2825","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1314,"filter":"raw","cat_ID":1400,"category_count":1314,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2825"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2825\/revisions"}],"predecessor-version":[{"id":4341,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2825\/revisions\/4341"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}