{"id":2886,"date":"2019-07-01T08:33:23","date_gmt":"2019-07-01T06:33:23","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/silenci-ara-parlen-les-dones\/"},"modified":"2026-03-04T14:16:00","modified_gmt":"2026-03-04T13:16:00","slug":"silenci-ara-parlen-les-dones","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/silenci-ara-parlen-les-dones\/","title":{"rendered":"Silenci? Ara parlen les dones"},"content":{"rendered":"

\"\"<\/a>S\u00e1nchez Garc\u00eda, Remedios; Gahete Jurado, Manuel (coords.). La palabra silenciada: voces de mujer en la poes\u00eda espa\u00f1ola contempor\u00e1nea (1950-2015).<\/em> Valencia: Tirant lo Blanch, 2017. 510 p. (Prosopopeya Manuales). ISBN 978-84-17069-93-3. 29 \u20ac en paper, 18 \u20ac llibre electr\u00f2nic.<\/span><\/p>\n

Us imagineu que les veus po\u00e8tiques actuals quedessin relegades a l\u2019oblit per una condici\u00f3 de g\u00e8nere?<\/span><\/p>\n

Doncs, moltes vegades, la realitat supera la ficci\u00f3 i aix\u00f2 \u00e9s justament el que ens explica l\u2019obra objecte d\u2019aquesta ressenya: La palabra silenciada. Voces de mujeres en la poes\u00eda espa\u00f1ola contempor\u00e1nea (1950-2015).<\/em><\/span><\/p>\n

<\/p>\n

Aquesta antologia neix amb l\u2019objectiu d\u2019aportar visibilitat i difusi\u00f3 a grans autores de poesia dels segles XX i XXI amb la recuperaci\u00f3 de les seves veus per reivindicar la creaci\u00f3 d\u2019un nou c\u00e0non pedag\u00f2gic i literari en contraposici\u00f3 a un arcaic c\u00e0non cl\u00e0ssic clarament patriarcal que ha refor\u00e7at l\u2019abs\u00e8ncia de figures femenines en antologies can\u00f2niques, premis, institucions, manuals, llibres de text i programes educatius.<\/span><\/p>\n

La proposta de La palabra silenciada<\/em> es vertebra en una doble estructura: per una banda, trenta estudis cr\u00edtics que en ordre cronol\u00f2gic ens apropen a veus fonamentals de la po\u00e8tica femenina des de l\u2019any 1950 fins el 2015 i, per altra banda, quinze reflexions d\u2019algunes poetesses actuals.<\/span><\/p>\n

\u00c1ngela, Pilar, Julia, Mar\u00eda Victoria, Clara, Gloria, Francisca, Carmen, Julieta, Elena, Elvira\u2026<\/em><\/span><\/p>\n

Coneixerem les seves circumst\u00e0ncies vitals (moltes d\u2019elles contextualitzades en la guerra civil i en la postguerra), els seus poemaris i les seves caracter\u00edstiques definit\u00f2ries que van dibuixar unes personalitats pr\u00f2pies i \u00faniques que van quedar silenciades al llarg de la hist\u00f2ria liter\u00e0ria espanyola:<\/span><\/p>\n

La feminitzaci\u00f3 de la consci\u00e8ncia social de postguerra d\u2019\u00c1ngela Figuera Aymerich, el treball divulgatiu amb les seves antologies femenines de Carmen Conde, la continuaci\u00f3 de la tradici\u00f3 andalus\u00ed de la Pilar Paz Pasamar, la cerca filos\u00f2fica de Julia Uceda, la poesia revulsiva de Gloria Fuertes, el reconeixement de la poesia d\u2019Angelina Gatell en la mem\u00f2ria i en el record, l\u2019intimisme de Paca Aguirre, l\u2019angoixa existencial i el goig de viure de Clara Jan\u00e9s, la influ\u00e8ncia de la Xina i l\u2019Orient en autores com Carmen Conde, Pilar Gonz\u00e1lez Espa\u00f1a, Bel\u00e9n Artu\u00f1edo o \u00c1ngela Vallvey, la po\u00e8tica del malestar de Julieta Valero, etc\u00e8tera.<\/span><\/p>\n

Les p\u00e0gines finals ens parlen directament de poesia a trav\u00e9s de 15 autores actuals que reflexionen sobre el seu discurs po\u00e8tic: la relaci\u00f3 amb les seves pr\u00f2pies veus i amb l\u2019espai literari on es mouen, encara avui reaci a obrir les seves portes a l\u2019univers femen\u00ed.<\/span><\/p>\n

La lectura d\u2019aquesta obra ens reitera i referma en la idea que la construcci\u00f3 d\u2019un mapa po\u00e8tic complet i universal realitzat des de la paritat i la col\u00b7lectivitat \u00e9s i ser\u00e0 essencial per reparar els buits de la hist\u00f2ria de la literatura. \u00c9s la nostra responsabilitat social, cultural i personal.<\/span><\/p>\n

Carmen Ortega Graciano
\n\tBibliotec\u00e0ria de Can Sumarro<\/a> (L\u2019H)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

S\u00e1nchez Garc\u00eda, Remedios; Gahete Jurado, Manuel (coords.). La palabra silenciada: voces de mujer en la…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2886","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1306,"filter":"raw","cat_ID":1400,"category_count":1306,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2886"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2886\/revisions"}],"predecessor-version":[{"id":4402,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2886\/revisions\/4402"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}