{"id":2924,"date":"2019-02-27T07:33:39","date_gmt":"2019-02-27T06:33:39","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/mis-libros-de-siempre-jamas\/"},"modified":"2026-03-04T14:16:05","modified_gmt":"2026-03-04T13:16:05","slug":"mis-libros-de-siempre-jamas","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/mis-libros-de-siempre-jamas\/","title":{"rendered":"\u00abMis libros de siempre jam\u00e1s\u00bb"},"content":{"rendered":"<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\"><img decoding=\"async\" class=\"drupal-import-img\" alt=\"\" src=\"https:\/\/fima.ub.edu\/edl\/wp-content\/inici_blog_EdL\/2019\/coberta_mis_libros_siempre_jamas.jpg\" style=\"width: 150px; height: 231px; border-width: 1px; border-style: solid; margin-left: 10px; margin-right: 10px; float: left;\" \/>Arg\u00fcelles, Fulgencio. <em>Mis libros de siempre jam\u00e1s: narrativa.<\/em> Oviedo: Saltadera, 2018. 279 p. (Arenas movedizas; 6). ISBN 978-84-947552-5-5. 21 \u20ac.<\/span><\/p>\n<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\">Arg\u00fcelles escriu al suplement cultural del diari <em>El Comercio<\/em> de Gij\u00f3n des dels seus inicis fa m\u00e9s de vuit anys, on prescriu lectures des d\u2019una secci\u00f3 que es titula \u00abMis libros de siempre jam\u00e1s\u00bb. Ara, sota el mateix t\u00edtol, l\u2019editorial Saltadera publica aquest llibre on ens presenta una selecci\u00f3 de 128 llibres que han marcat l\u2019autor al llarg de la seva vida (ja al pr\u00f2leg veiem la imatge buc\u00f2lica del jove Arg\u00fcelles submergint-se en la lectura sota l\u2019abra\u00e7ada de l\u2019ombra d\u2019una figuera).<\/span><\/p>\n<p><!--break--><\/p>\n<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\">L\u2019autor ho justifica dient que \u00aben un mundo atormentado por las prisas, enloquecido por el v\u00e9rtigo de las im\u00e1genes y entregado incondicionalmente a las novedades, pens\u00e9 que estar\u00eda bien detenerse en algunos de los libros grandes que merecen ser considerados generaci\u00f3n tras generaci\u00f3n\u00bb.<\/span><\/p>\n<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\">A <em>Mis libros de siempre jam\u00e1s<\/em> aconsegueix que cada cap\u00edtol, m\u00e9s enll\u00e0 d\u2019una ressenya, sigui un text literari i una presentaci\u00f3 del seu amor per la literatura. I \u00e9s que Fulgencio Arg\u00fcelles, llicenciat en Psicologia i especialitzat en psicologia del treball i les organitzacions, \u00e9s un escriptor reconegut i establert a la seva Ast\u00faries natal. Des que el 1992 rep el Premio Azor\u00edn pel seu primer llibre <em>Letan\u00edas de lluvia <\/em>(Alfaguara, 1993) no ha deixat de publicar novel\u00b7les d\u2019\u00e8xit com <em>Recuerdos de alg\u00fan vivir<\/em> (Premi Principado de Asturias, 2000) (N\u00f3bel, 2000), <em>El palacio azul de los ingenieros belgas<\/em> (Premi Caf\u00e9 Gij\u00f3n, 2003) (Acantilado, 2003) i altres t\u00edtols com <em>A la sombra de los abedules<\/em> (Trea, 2011), <em>No encuentro mi cara en el espejo<\/em> (Acantilado, 2014) i la m\u00e9s recent<em> El oto\u00f1o de la casa de los sauces<\/em> (Acantilado, 2018).<\/span><\/p>\n<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\">Arg\u00fcelles compon textos literaris que parlen de literatura on desfilen autors des d\u2019Homer i Ovidi fins a contemporanis com Garc\u00eda M\u00e1rquez i Saramago, passant per cl\u00e0ssics com Dostoievski, Tolstoi o Faulkner, fent la volta al m\u00f3n des de <em>Pedro P\u00e1ramo<\/em> del mexic\u00e0 Juan Rulfo al Nobel japon\u00e8s Yasunari Kawabata amb <em>La casa de las bellas durmientes<\/em>.<\/span><\/p>\n<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\">Dones escriptores com Emily Bront\u00eb, Edith Bruck, Natalia Ginzburg, Rosa Chacel, Hiromi Kawakami, Susanna Tamaro, Marguerite Yourcenar i alguna altra m\u00e9s. Poques refer\u00e8ncies; ho dic sense \u00e0nim d\u2019assenyalar l\u2019autor, sin\u00f3 de fer patent com la hist\u00f2ria, tamb\u00e9 la hist\u00f2ria de la literatura, les ha eclipsades.<\/span><\/p>\n<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\">Arg\u00fcelles no segueix cap ordre ni criteri m\u00e9s enll\u00e0 de fer una selecci\u00f3 d\u2019aquells t\u00edtols que li han arribat al cor, com diu l\u2019autor \u00ablibros de siempre jam\u00e1s\u00bb que els ha sentit com a abra\u00e7ades que \u00abduran tota una vida\u00bb. I aix\u00ed \u00e9s com es pot llegir tamb\u00e9, sense cap ordre, a l\u2019atzar, o triant a partir del t\u00edtol indexat al comen\u00e7ament del llibre, o per l\u2019autor i obra referenciat en un \u00edndex al final del llibre.&nbsp;<\/span><\/p>\n<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\">Cada cap\u00edtol comen\u00e7a i acaba amb un petit fragment del principi i final de l\u2019obra seleccionada. D\u2019aquesta manera fem un tastet que ens fa anar i venir i ballar en diferents temps i distintes veus. Citacions i refer\u00e8ncies, Arg\u00fcelles citant Dostoievski parlant de Nikolai G\u00f3gol \u00abtodos hemos salido de <em>El capote de G\u00f3gol<\/em>\u00bb, o a Edith Bruck en la que anomena \u00abliteratura del holocausto\u00bb, de la qual cita un dels poemes \u00abnacer por casualidad, nacer mujer, nacer pobre, nacer jud\u00eda es demasiado para una sola vida\u00bb o citant Miguel Torga en refer\u00e8ncia a <em>Los Buddenbrook<\/em> de Thomas Mann \u00abno hay duda de que es un bello espect\u00e1culo leer un libro como este. Al hacerlo, nos da la impresion de que toda Grecia y toda Europa est\u00e1n disueltas en la caja de tipografia\u00bb&#8230; i deixem-ho aqu\u00ed perqu\u00e8 no acabar\u00edem mai.<\/span><\/p>\n<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\">Sense refer\u00e8ncies bibliogr\u00e0fiques pel que fa a les edicions, m\u00e9s enll\u00e0 de citar l\u2019any d\u2019alguna primera edici\u00f3 en alguns casos, l\u2019\u00fanica refer\u00e8ncia temporal s\u00f3n les dades biogr\u00e0fiques dels autors\/es (any de naixement i defunci\u00f3) sota el seu nom, i del t\u00edtol al principi de cada cap\u00edtol.<\/span><\/p>\n<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\">Els llibres de <em>Siempre jam\u00e1s<\/em>, 128 obres, 128 cap\u00edtols, 128 relats que ens fan venir ganes de llegir-los (si encara no ho hem fet) o rellegir-los, de parlar de literatura, reflexionar sobre la hist\u00f2ria, sobre els autors, per\u00f2 tamb\u00e9 ens fan gaudir de la lectura, un delici\u00f3s assaig literari.<\/span><\/p>\n<p class=\"rtejustify text-align-justify\"><span style=\"font-size:14px;\">Cristina Caball\u00e9 Capdevila<br \/>\nDe la 6a promoci\u00f3 de l\u2019<a href=\"http:\/\/www.ub.edu\/biblio\/edl\" target=\"_blank\">Escola de Llibreria<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arg\u00fcelles, Fulgencio. Mis libros de siempre jam\u00e1s: narrativa. Oviedo: Saltadera, 2018. 279 p. (Arenas movedizas;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3514,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-2924","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":["https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2019\/02\/coberta_mis_libros_siempre_jamas-665x1024.jpg",665,1024,true],"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1297,"filter":"raw","cat_ID":1400,"category_count":1297,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=2924"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2924\/revisions"}],"predecessor-version":[{"id":4440,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/2924\/revisions\/4440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media\/3514"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=2924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=2924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=2924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}