{"id":3158,"date":"2017-04-07T06:27:59","date_gmt":"2017-04-07T04:27:59","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/el-librero-de-roald-dahl\/"},"modified":"2026-03-04T14:16:27","modified_gmt":"2026-03-04T13:16:27","slug":"el-librero-de-roald-dahl","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/el-librero-de-roald-dahl\/","title":{"rendered":"\u00abEl librero\u00bb, de Roald Dahl"},"content":{"rendered":"

\"\"<\/a><\/span><\/p>\n

Dahl, Roald. El librero.<\/i> Ilust., Federico Delicado; trad., Xes\u00fas Fraga. Madrid: N\u00f3rdica Libros, 2016. 64 p. ISBN 978-84-16440-63-4. 19,50 \u20ac.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Reimpressi\u00f3 (2022)[1]<\/span><\/span><\/span><\/span><\/span><\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Darrerament ens trobem amb for\u00e7a llibres relacionats o ambientats en llibreries o ambients llibrescos, i algunes editorials com Impedimenta, Perif\u00e9rica o Viena Edicions s’han pujat al carro amb t\u00edtols com La llibreria ambulant<\/a>, <\/span><\/em>de Christopher Morley; La librer\u00eda,<\/span><\/em> de Penelope Fitzgerald (Madrid: Impedimenta, 2010) (de la qual veurem properament<\/a> la pel\u00b7li, sota la direcci\u00f3 d’Isabel Coixet [2]<\/span><\/span><\/span><\/span><\/span><\/a>) o La buena novela,<\/span><\/em> de Laurence Coss\u00e9 (Madrid: Impedimenta, 2012). Sembla que s\u2019ha posat de moda tot el que est\u00e0 relacionat amb llibres, llibreries i llibreters, i que el que passa dins d\u2019una llibreria siguin coses m\u00e0giques i, en realitat, moltes vegades ho s\u00f3n.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

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En aquest sentit us recomano Rive Gauche<\/span><\/em> de Marc Rosich, text teatral que va publicar l’Editorial Arola el 2011 i que vaig tenir el plaer de veure representat. Per\u00f2 tamb\u00e9 \u00e9s veritat que \u00abllibres sobre llibres o el seu entorn\u00bb han existit sempre, recordem 84, Charing Cross Road,<\/span><\/em> de Helene Hanff (Barcelona: Labutxaca, 2012), les delicioses cartes que es van enviar un llibreter angl\u00e8s i una lectora-clienta americana, o El lector,<\/span><\/em> de Bernhard Schlink (Barcelona: Labutxaca, 2013), magistralment portada al cine, per no parlar de La signatura 400,<\/span><\/em> de Sophie Divry (Barcelona: SD, 2012), en la qual es descriu la relaci\u00f3 especial que uneix la protagonista (una bibliotec\u00e0ria) amb els llibres, o El lector com\u00fan,<\/span><\/em> de Virginia Woolf (Barcelona: Debolsillo, 2010). En els darrers temps, tamb\u00e9 m’agradaria destacar una novel\u00b7la que em va captivar, El lector del tren de les 6.27 h<\/span><\/em>, de Jean-Paul Didierlaurent (Barcelona: Columna, 2015). En aquesta novel\u00b7la els llibres s\u00f3n tant o m\u00e9s protagonistes que els mateixos \u00e9ssers humans.<\/span><\/span><\/span><\/span><\/span><\/p>\n

Avui us vull recomanar especialment un petit relat (80 p\u00e0gines) de Roal Dahl, publicat per N\u00f3rdica Libros i il\u00b7lustrat per Federico Delicado: El librero<\/span><\/em>. Dahl en aquest llibre ens presenta una hist\u00f2ria per a un p\u00fablic adult, en la qual els protagonistes (un llibreter i la seva assistent) ens recorden els t\u00edpics murris-supervivents-pocavergonyes que no es guanyen la vida venent llibres precisament, ja que la petita llibreria anglesa \u00e9s una tapadora per a un negoci molt m\u00e9s rendible, del que finalment no sortiran gaire ben parats. Dahl descriu magistralment com aquest llibreter juntament amb la seva assistent-secret\u00e0ria-amant empaita pobres v\u00eddues per treure’n profit mitjan\u00e7ant un sofisticat sistema d’estafa que no desvetllar\u00e9 aqu\u00ed.<\/span><\/span><\/span><\/span><\/span><\/p>\n

Aix\u00ed, us animo a descobrir aquest relat, perqu\u00e8 estic segura que acabareu tancant el llibre amb un bon somriure.<\/span><\/span><\/span><\/span><\/span><\/p>\n

Gemma Barrufet
\nLlibretera d\u2019A Peu de P\u00e0gina<\/a> i professora de l\u2019Escola de Llibreria  <\/span><\/span><\/span><\/span><\/span><\/p>\n

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1 <\/font>Reimpressi\u00f3 2022<\/span><\/span>
\nDahl, Roald. El librero.<\/i> Ilust., Federico Delicado; trad., Xes\u00fas Fraga. Madrid: N\u00f3rdica Libros, 2022. 80 p. ISBN 978-84-18930-36-2. 18 \u20ac en paper, 9,99 \u20ac format electr\u00f2nic.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

2 L\u2019any 2004 Isabel Coixet va dirigir i adaptar la novel\u00b7la 84, Charing Cross Road en format teatral<\/span><\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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 <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Dahl, Roald. El librero. Ilust., Federico Delicado; trad., Xes\u00fas Fraga. Madrid: N\u00f3rdica Libros, 2016. 64…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-3158","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1294,"filter":"raw","cat_ID":1400,"category_count":1294,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/3158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=3158"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/3158\/revisions"}],"predecessor-version":[{"id":4674,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/3158\/revisions\/4674"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=3158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=3158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=3158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}