{"id":3189,"date":"2016-11-17T08:01:40","date_gmt":"2016-11-17T07:01:40","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/la-comedia-literaria\/"},"modified":"2026-03-04T14:16:30","modified_gmt":"2026-03-04T13:16:30","slug":"la-comedia-literaria","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/la-comedia-literaria\/","title":{"rendered":"La comedia literaria"},"content":{"rendered":"

\"\"<\/a>Meurisse, Catherine. La comedia literaria: de Roldan a Boris Vian: un c\u00f3mic muy c\u00f3mico sobre escritores franceses.<\/em> Trad., Llu\u00eds Maria Tod\u00f3. Madrid: Impedimenta, 2016. 137 p. (El chico amarillo). ISBN 978-84-16542-38-3. 22,95 \u20ac.<\/span><\/p>\n

No fa gaires dies apareixia, en aquest mateix blog, una ressenya<\/a> sobre un c\u00f2mic on es feia refer\u00e8ncia a la tipografia. La ressenya d\u2019avui no parla d\u2019aquest tema, per\u00f2 tenen en com\u00fa una cosa: tamb\u00e9 \u00e9s un c\u00f2mic. Un c\u00f2mic sobre la literatura francesa, per ser m\u00e9s exactes.<\/span><\/p>\n

<\/p>\n

Per\u00f2 anem a pams: ens agrada la literatura francesa? Aquesta obra <\/span>\u2014<\/span>tal com diuen ells mateixos<\/span>\u2014<\/span> est\u00e0 pensada perqu\u00e8 agradi tant als amants de la literatura del pa\u00eds ve\u00ed com per als que no. Amb un estil desenfadat, fresc i detallat es va fent un rep\u00e0s de les obres m\u00e9s importants, des de l\u2019Edat Mitjana fins al segle XX.<\/span><\/p>\n

\u00c9s curiosa, l\u2019obra. Podr\u00edem dir que no hi ha cap di\u00e0leg seri\u00f3s, per\u00f2 tot i aix\u00ed mant\u00e9 un equilibri perfecte entre el rigor i l\u2019humor: agafa tots i cadascun dels personatges que apareixen (autors i protagonistes d\u2018obres) i els posa en situacions divertides i fins i tot sovint rid\u00edcules. La feina de documentaci\u00f3 pr\u00e8via que ha fet l\u2019autora \u00e9s palpable, tot i que sovint hi afegeixi punts d\u2019humor:<\/span><\/p>\n\n\n\n\n
\n\t\t\t\t\"\"<\/td>\n<\/tr>\n
\n\t\t\t\tLa Fontaine, fart de tot plegat<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

La majoria d\u2019autors que ara potser us v\u00e9nen en ment hi s\u00f3n representats: Zola, La Fontaine, Rousseau, Moli\u00e8re, Sartre, Diderot, Voltaire, Proust, V\u00edctor Hugo, Balzac o George Sand (pseud\u00f2nim d\u2018Amandine Aurore Lucile Dupin); per\u00f2 tamb\u00e9 molts d\u2019altres… i sense oblidar obres pseudoan\u00f2nimes com <\/span>La chanson de Roland<\/em> (i dic pseudoan\u00f2nimes perqu\u00e8 no queda clara la seva autoria).<\/span><\/p>\n

Podem veure quins processos d\u2019elaboraci\u00f3 van seguir alguns d\u2019aquests autors per fer les seves obres, quina resposta van obtenir del p\u00fablic o fins i tot com els anava la seva vida sentimental. Hi ha de tot. Penseu que s\u00f3n molts autors i molt poques p\u00e0gines, per la qual cosa \u00e9s normal que el ritme de lectura sigui bastant r\u00e0pid i es pugui fer d\u2019una forma ben amena. Ja ho comprova el mateix Victor Hugo per si mateix, quan veu que amb vuit vinyetes resumeixen la seva vida.<\/span><\/p>\n

\"\"<\/span><\/p>\n

Es tracta d\u2019una obra molt adient per a diversos tipus de p\u00fablic: llibreters i bibliotecaris poden eixamplar la seva cultura liter\u00e0ria francesa (sempre hi ha algun autor que no et sona de res), els m\u00e9s joves ho trobaran divertit gr\u00e0cies al format gr\u00e0fic i la resta de p\u00fablic en general… b\u00e9, doncs tamb\u00e9 \"smiley\". Vaja, i un llibre que tamb\u00e9 pot funcionar molt b\u00e9 si es vol fer un regal.<\/span><\/p>\n

Per acabar, dir que la traducci\u00f3 ha anat a c\u00e0rrec de Llu\u00eds Maria Tod\u00f3, professor universitari a la Universitat Pompeu Fabra, escriptor, cr\u00edtic literari i traductor catal\u00e0.<\/span><\/p>\n

Eli Ramirez<\/a>
\n\tBibliotec\u00e0ria, CRAI Biblioteca del Campus Bellvitge, UB<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Meurisse, Catherine. La comedia literaria: de Roldan a Boris Vian: un c\u00f3mic muy c\u00f3mico sobre…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-3189","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1293,"filter":"raw","cat_ID":1400,"category_count":1293,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/3189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=3189"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/3189\/revisions"}],"predecessor-version":[{"id":4705,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/3189\/revisions\/4705"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=3189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=3189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=3189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}