{"id":3298,"date":"2014-08-28T08:30:12","date_gmt":"2014-08-28T06:30:12","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/el-librero-de-paris-y-la-princesa-rusa\/"},"modified":"2026-03-04T14:16:46","modified_gmt":"2026-03-04T13:16:46","slug":"el-librero-de-paris-y-la-princesa-rusa","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/el-librero-de-paris-y-la-princesa-rusa\/","title":{"rendered":"El librero de Par\u00eds y la princesa rusa"},"content":{"rendered":"<div class=\"rtejustify\">\n\t<span style=\"font-size: 14px;\"><strong><img decoding=\"async\" class=\"drupal-import-img\" alt=\"\" src=\"\/edl\/wp-content\/inici_blog_EdL\/2014\/ressenyes\/el-librero-de-paris-y-la-princesa2.jpg\" style=\"width: 150px; height: 233px; border-width: 0px; border-style: solid; float: left; margin-left: 5px; margin-right: 5px;\" \/><\/strong><\/span><\/div>\n<div class=\"rtejustify\">\n\t<span style=\"font-size: 14px;\"><strong>El librero y la princesa rusa<\/strong><\/span><\/div>\n<div class=\"rtejustify\">\n\t<span style=\"font-size: 14px;\">Bremer, Mary Ann Clark.&nbsp;<\/span><em style=\"font-size: 14px;\">El librero de Par\u00eds y la princesa rusa<\/em><span style=\"font-size: 14px;\">. Traducci\u00f3n de Hugo Bachelli. C\u00e1ceres: Perif\u00e9rica, 2014. 59 p. ISBN 978-84-92865-90-1.<\/span><\/div>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\">Coneixem molt poques dades sobre la vida de Mary Ann Clark Bremer, ni tan sols t\u00e9 entrada a la <em>Wikipedia,<\/em> nom\u00e9s l\u2019esb\u00f3s que <a href=\"http:\/\/www.editorialperiferica.com\/\">l\u2019editorial Perif\u00e9rica<\/a> ens facilita en la solapa dels seus llibres. Dona culta, cosmopolita; el tipus de dona burgesa que recorre Europa a la d\u00e8cada dels cinquanta i seixanta, en contacte amb els cercles d\u2019escriptors que, com ella diu, \u201cocupaban ahora los caf\u00e9s tanto como las primeras planas de las revistas literarias y los nuevos manuales de historia escritos tras la \u00faltima guerra\u201d.<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\">Tanmateix, l\u2019essencial de l\u2019autora ho coneixem a trav\u00e9s de les seues novel\u00b7les. Primer ens van arribar <em>Biblioteca de verano<\/em> i <em>Cuando cae la noche<\/em>, novel\u00b7les breus, d\u2019unes escasses 80 p\u00e0gines, on es revela i mostra com una dona atenta i conscient de la seua vida, com una dona forta que es reconstrueix despr\u00e9s d\u2019una p\u00e8rdua preco\u00e7 i violenta dels \u00e9ssers estimats, v\u00edctimes tots ells de les urpades de la Hist\u00f2ria. En aquest proc\u00e9s d\u2019aprendre a <em>viure sense<\/em>, de construir-se, els llibres i la literatura tenen per a Bremer un paper fonamental, diria que vital, salv\u00edfic.<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\">Ara ens arriba la recent publicada <em>El librero de Par\u00eds y la princesa rusa<\/em> on tornem a trobar l\u2019estil depurat, elegant i sobri amb qu\u00e8 composa les seues novel\u00b7les, per\u00f2 sense centrar-se tant a tra\u00e7ar les l\u00ednies mestres de les seues mem\u00f2ries, sin\u00f3 en la hist\u00f2ria d\u2019amor viscuda entre el llibreter i la princesa. O s\u00ed? I la princesa \u00e9s un <em>alter ego<\/em>? Potser, per\u00f2, no t\u00e9 cap significat&#8230;<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\">Descriu els dos personatges de forma succinta, nom\u00e9s quatre paraules, del seu amor a \u201cdestiempo, imposible\u201d se\u2019ns escamoteja quasi tot. Desconeixem el m\u00e9s m\u00ednim detall d\u2019aquesta relaci\u00f3 no confessada per cap de les parts i, en canvi, viscuda amb gran intensitat. Fidel a les seues formes, l\u2019autora ens convida a posar de la nostra part. Calla all\u00f2 ordinari i destil\u00b7la l\u2019important en la seua brevetat i capacitat de s\u00edntesi, la mat\u00e8ria que uneix el llibreter i la princesa: els llibres. Una altra vegada en la seua obra, vida i literatura van juntes.<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\">El llibre com a objecte de bellesa, quin plaer la descripci\u00f3 que fa de la <em>La petite maison<\/em> obra de De Bastide, regal que l\u2019enamorat fa a la princesa. El llibre com a cam\u00ed per a la seducci\u00f3, res millor que un bon cat\u00e0leg en les llibreries per seduir els lectors, els pr\u00ednceps i princeses que entren a les nostres llibreries-castells i encetar amb ells relacions amoroses de lector a lector. El llibre com a portador de llum, com a territori per al record que, junt a d\u2019altres objectes bells, composen un santuari-memorial com el que li fa la princesa al llibreter i que ens uneix als altres en la vida i en la mort.<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\">Mary Ann Clark Bremer ens d\u00f3na sempre bellesa en els seus llibres, per aix\u00f2 \u00e9s un plaer poder compartir aquest llibre amb vosaltres, princeses.&nbsp;<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\"><a href=\"http:\/\/llibrerialambit.blogspot.com.es\/\">M\u00f2nica Bernat<\/a>&nbsp;(primera promoci\u00f3 de l&#8217;<a href=\"http:\/\/www.ub.edu\/biblio\/diploma-de-postgrau-de-llibreria\/presentacio.html\" target=\"_blank\">Escola de Llibreria<\/a>)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El librero y la princesa rusa Bremer, Mary Ann Clark.&nbsp;El librero de Par\u00eds y la&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[1133],"class_list":["post-3298","post","type-post","status-publish","format-standard","hentry","category-ressenyes","tag-llibres"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}],"post_tag":[{"value":1133,"label":"llibres"}]},"featured_image_src_large":false,"author_info":{"display_name":"jordi","author_link":"https:\/\/fima.ub.edu\/edl\/author\/jordi\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1342,"filter":"raw","cat_ID":1400,"category_count":1342,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":[{"term_id":1133,"name":"llibres","slug":"llibres","term_group":0,"term_taxonomy_id":1133,"taxonomy":"post_tag","description":"","parent":0,"count":1214,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/3298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=3298"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/3298\/revisions"}],"predecessor-version":[{"id":4814,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/3298\/revisions\/4814"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=3298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=3298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=3298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}