{"id":5297,"date":"2026-02-20T08:30:00","date_gmt":"2026-02-20T07:30:00","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/?p=5297"},"modified":"2026-03-04T14:14:43","modified_gmt":"2026-03-04T13:14:43","slug":"literatura-polonesa-terra-incognita","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/literatura-polonesa-terra-incognita\/","title":{"rendered":"Literatura polonesa, \u00abterra incognita\u00bb"},"content":{"rendered":"
\n
\"coberta<\/figure>\n<\/div>\n\n\n

Nasi\u0142owska, Anna. A history of Polish literature.<\/em> Transl., Anna Zaranko. Boston: Academic Studies Press, 2024. XVII, 682 p. (Polish Studies). ISBN 979-8-88719-277-2.<\/p>\n\n\n\n

A history of Polish literature <\/em>d\u2019Anna Nasi\u0142owska, publicat a Academic Studies Press en traducci\u00f3 d\u2019Anna Zaranko, \u00e9s un llibre gruixut, de to acad\u00e8mic, i alhora amb una certa voluntat divulgativa, que recorre la hist\u00f2ria de la literatura polonesa des de l\u2019Edat Mitjana fins als anys noranta del segle XX. Tot i que la data de publicaci\u00f3 \u00e9s tan recent com 2024, la literatura polonesa del primer quart del segle actual hi \u00e9s absent. Tot sembla indicar que l\u2019autora no ha volgut parlar-ne per falta de perspectiva.<\/p>\n\n\n\n

Sigui com sigui, la trista evid\u00e8ncia \u00e9s que dels autors polonesos anteriors al segle XX, no en tenim gaireb\u00e9 res tradu\u00eft ni al catal\u00e0 ni al castell\u00e0. Per tant, si el lector d\u2019aquest volum no domina el polon\u00e8s, haur\u00e0 de buscar les obres de la majoria d\u2019autors que hi surten en traduccions angleses, franceses o alemanyes (i tampoc en trobar\u00e0 tantes com voldria, segurament). Si ens limitem a fixar-nos nom\u00e9s en la part del llibre que abasta el segle XX, veurem que cont\u00e9 resums prou entenedors de les vides i les obres m\u00e9s rellevants d\u2019alguns escriptors de primer ordre, com ara <\/a>S\u0142awomir Mro\u017cek, de qui Nasi\u0142owska \u00e9s bi\u00f2grafa. Per sort, dels relats de Mro\u017cek s\u00ed que en tenim traduccions espl\u00e8ndides publicades per Quaderns Crema i Acantilado. En canvi, les seves obres de teatre, que es representen arreu del m\u00f3n, continuen sent for\u00e7a desconegudes a casa nostra. Qui \u00e9s el director que hi posar\u00e0 remei?<\/p>\n\n\n\n

La utilitat que pot tenir un volum com aquest per a nosaltres \u00e9s fer-nos conscients de tot el que falta per traduir i per con\u00e8ixer. Els grans poetes del romanticisme: Adam Mickiewicz, Juliusz S\u0142owacki i Cyprian Kamil Norwid; el teatre modernista de Stanis\u0142aw Wyspia\u0144ski, particularment Wesele<\/em> (\u00abLes noces\u00bb,1901), en qu\u00e8 es basa una bella pel\u00b7l\u00edcula d\u2019Andrzej Wajda; l\u2019obra dels integrants del grup Skamander, que al principi del segle XX van renovar el llenguatge po\u00e8tic polon\u00e8s; les magn\u00edfiques novel\u00b7les curtes de Jaros\u0142aw Iwaszkiewicz, hereu de la tradici\u00f3 txekhoviana, que aconsegueix \u00abportar la falta de pretensions als cims del virtuosisme\u00bb, per dir-ho amb paraules seves (aplicades, \u00e9s clar, a un altre escriptor); la s\u00e0tira pol\u00edtica de Tadeusz Konwicki, representada sobretot per la novel\u00b7la Ma\u0142a apokalipsa<\/em> (\u00abLa petita apocalipsi\u00bb, 1979); els contes i els poemes de Kornel Filipowicz, de qui Nasi\u0142owska nom\u00e9s diu que va ser el company sentimental de Wis\u0142awa Szymborska i el destinatari impl\u00edcit del seu poema m\u00e9s fam\u00f3s, Kot w pustym mieszkaniu<\/em> (\u00abUn gat en un pis buit\u00bb, 1991). Per desgr\u00e0cia, tampoc no diu gaireb\u00e9 res de la potent\u00edssima tradici\u00f3 de literatura infantil a Pol\u00f2nia, que durant d\u00e8cades s\u2019ha resistit a tractar el lector petit amb condescend\u00e8ncia i li ha ofert obres d\u2019alt\u00edssima qualitat art\u00edstica. Tant de bo, ara i aqu\u00ed, hi hagi editors que descobreixin tota aquesta riquesa i no tinguin por de publicar autors polonesos cl\u00e0ssics i moderns, encara que no tinguin \u00abres m\u00e9s a oferir que el seu geni\u00bb, com deia Oscar Wilde.<\/p>\n\n\n\n

X\u00e8nia Dyakonova<\/a>  <\/p>\n\n\n\n

Poeta, traductora, cr\u00edtica liter\u00e0ria i professora d\u2019escriptura<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Nasi\u0142owska, Anna. A history of Polish literature. Transl., Anna Zaranko. Boston: Academic Studies Press, 2024….<\/p>\n","protected":false},"author":4,"featured_media":5300,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[],"class_list":["post-5297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ressenyes"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}]},"featured_image_src_large":["https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/02\/coberta_a-history-of-polish-literature-683x1024.webp",683,1024,true],"author_info":{"display_name":"Marta Roig","author_link":"https:\/\/fima.ub.edu\/edl\/author\/martaroig\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1302,"filter":"raw","cat_ID":1400,"category_count":1302,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":false,"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=5297"}],"version-history":[{"count":2,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5297\/revisions"}],"predecessor-version":[{"id":5355,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5297\/revisions\/5355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media\/5300"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=5297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=5297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=5297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}