{"id":5546,"date":"2026-04-27T08:30:00","date_gmt":"2026-04-27T06:30:00","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/?p=5546"},"modified":"2026-04-21T09:55:31","modified_gmt":"2026-04-21T07:55:31","slug":"narrativas-en-la-era-digital-entre-lexperimentacio-tecnologica-i-la-reinvencio-del-relat","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/narrativas-en-la-era-digital-entre-lexperimentacio-tecnologica-i-la-reinvencio-del-relat\/","title":{"rendered":"\u00abNarrativas en la era digital\u00bb: entre l\u2019experimentaci\u00f3 tecnol\u00f2gica i la reinvenci\u00f3 del relat"},"content":{"rendered":"
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\"coberta<\/a><\/figure>\n<\/div>\n\n\n

Tello D\u00edaz, Luc\u00eda (coord.). Narrativas en la era digital.<\/em> Zaragoza: Prensas de la Universidad de Zaragoza, 2025. 240 p. (Estudios). ISBN 978-84-1340-910-8. 26 \u20ac.<\/p>\n\n\n\n

En un context marcat per l\u2019expansi\u00f3 dels entorns digitals, la hibridaci\u00f3 de llenguatges i la transformaci\u00f3 de les formes de consum cultural, el volum Narrativas en la era digital<\/em> es presenta com una obra col\u00b7lectiva que explora com s\u2019estan redefinint les formes de narrar, interpretar i experimentar hist\u00f2ries en la contemporane\u00eftat. A trav\u00e9s de diversos estudis que abracen des del metavers fins als videojocs o la ficci\u00f3 seriada, el llibre ofereix una panor\u00e0mica rica i plural sobre les noves narratives emergents.<\/p>\n\n\n\n

Lluny d\u2019oferir una visi\u00f3 tancada, l\u2019obra planteja interrogants fonamentals: com canvien les estructures narratives en entorns digitals i immersius? Quin paper juga l\u2019usuari en la construcci\u00f3 del relat? Fins a quin punt les noves tecnologies amplien o condicionen les possibilitats expressives? I, en \u00faltima inst\u00e0ncia, ens trobem davant d\u2019una transformaci\u00f3 radical del concepte de narrativa o b\u00e9 davant d\u2019una evoluci\u00f3 de formes ja existents?<\/p>\n\n\n\n

El metavers i l\u2019expansi\u00f3 del relat<\/h3>\n\n\n\n

Un dels eixos centrals del volum \u00e9s l\u2019an\u00e0lisi del metavers com a espai narratiu emergent. L\u2019estudi de Vanesa Cejudo Mej\u00edas, Sara Gallego Trijueque i Carlos Oliva Mara\u00f1\u00f3n examina aquest fenomen des d\u2019una perspectiva tecnol\u00f2gica i social, destacant el seu car\u00e0cter immersiu, interactiu i persistent. Tal com es desenvolupa en les primeres seccions del text (p. 14-17), el metavers no es limita a reproduir la realitat, sin\u00f3 que genera nous entorns on l\u2019usuari no nom\u00e9s consumeix hist\u00f2ries, sin\u00f3 que hi participa activament a trav\u00e9s d\u2019avatars i identitats digitals.<\/p>\n\n\n\n

La narrativa, en aquest context, esdev\u00e9 distribu\u00efda, oberta i en constant construcci\u00f3. Elements com la realitat virtual, la realitat augmentada o els bessons digitals amplien les possibilitats del relat, per\u00f2 tamb\u00e9 introdueixen nous reptes en termes de coher\u00e8ncia, autoria i experi\u00e8ncia de l\u2019usuari.<\/p>\n\n\n\n

Nous llenguatges i cultura digital<\/h3>\n\n\n\n

El llibre tamb\u00e9 posa el focus en els conceptes que estructuren aquestes noves narratives: blockchain,<\/em> NFT, Web 3.0 o ludificaci\u00f3, entre altres (p. 23-24). M\u00e9s enll\u00e0 de la seva dimensi\u00f3 t\u00e8cnica, aquests elements configuren un nou ecosistema cultural on la narrativa s\u2019entrella\u00e7a amb l\u2019economia digital, la identitat en l\u00ednia i la participaci\u00f3 activa de les comunitats.<\/p>\n\n\n\n

En aquest sentit, l\u2019obra subratlla com les plataformes digitals no nom\u00e9s distribueixen continguts, sin\u00f3 que transformen les l\u00f2giques narratives tradicionals. La hist\u00f2ria deixa de ser un producte tancat per convertir-se en un proc\u00e9s din\u00e0mic que s\u2019adapta a la interacci\u00f3 de l\u2019usuari i a les possibilitats de l\u2019entorn tecnol\u00f2gic.<\/p>\n\n\n\n

Mitologia i videojocs: la reinvenci\u00f3 de l\u2019imaginari<\/h3>\n\n\n\n

Un altre dels cap\u00edtols m\u00e9s suggeridors \u00e9s el dedicat a la reinterpretaci\u00f3 de la mitologia en els videojocs. A trav\u00e9s de m\u00faltiples exemples com God of War, Assassin\u2019s Creed<\/em> o Hades,<\/em> s\u2019analitza com els relats m\u00edtics es reconfiguren per adaptar-se a les l\u00f2giques del mitj\u00e0 interactiu (p. 36-41).<\/p>\n\n\n\n

Lluny de ser una simple adaptaci\u00f3, aquests videojocs construeixen noves formes narratives a partir de materials cl\u00e0ssics, combinant fidelitat i reinterpretaci\u00f3. El jugador deixa de ser espectador per convertir-se en protagonista, fet que refor\u00e7a la dimensi\u00f3 immersiva i emocional del relat.<\/p>\n\n\n\n

Tanmateix, aquesta transformaci\u00f3 tamb\u00e9 planteja tensions entre rigor hist\u00f2ric, espectacularitat i necessitats comercials.<\/p>\n\n\n\n

Metaficci\u00f3 i autoreferencialitat en la ficci\u00f3 contempor\u00e0nia<\/h3>\n\n\n\n

El volum es completa amb una an\u00e0lisi de les estrat\u00e8gies narratives postmodernes en la ficci\u00f3 seriada, on conceptes com la metaficci\u00f3 o l\u2019autoficci\u00f3 adquireixen un paper central. Tal com s\u2019exposa a l\u2019estudi de Luc\u00eda Tello (p. 48-49), aquestes formes narratives introdueixen una reflexi\u00f3 sobre el mateix proc\u00e9s de creaci\u00f3, difuminant els l\u00edmits entre ficci\u00f3 i realitat.<\/p>\n\n\n\n

La narrativa contempor\u00e0nia tendeix a esdevenir conscient de si mateixa, incorporant refer\u00e8ncies, ruptures de la quarta paret i estructures complexes que conviden l\u2019espectador a adoptar una posici\u00f3 m\u00e9s activa i interpretativa.<\/p>\n\n\n\n

Una obra clau per comprendre la narrativa contempor\u00e0nia<\/h3>\n\n\n\n

Aquest tipus de volums no pret\u00e9n oferir respostes definitives, sin\u00f3 obrir espais de reflexi\u00f3. Narrativas en la era digital<\/em> destaca pel seu car\u00e0cter plural i per la seva capacitat de connectar teoria i pr\u00e0ctica, tecnologia i cultura, tradici\u00f3 i innovaci\u00f3.<\/p>\n\n\n\n

En conjunt, el llibre permet comprendre com les narratives actuals es configuren en un espai h\u00edbrid, on convergeixen m\u00faltiples llenguatges, suports i agents. Resulta especialment rellevant per a investigadors, docents i professionals de la comunicaci\u00f3 i la cultura.<\/p>\n\n\n\n

M\u00e9s enll\u00e0 dels aven\u00e7os tecnol\u00f2gics, l\u2019obra recorda que el relat continua sent una eina fonamental per donar sentit a l\u2019experi\u00e8ncia humana. Avui, aquest sentit es construeix tamb\u00e9 des de la interacci\u00f3, la immersi\u00f3 i la participaci\u00f3 activa en universos narratius en constant evoluci\u00f3.<\/p>\n\n\n\n

Aar\u00f3n Tall\u00f3n Haddad<\/a>\u00a0<\/p>\n\n\n\n

Gestor de continguts i metadades. IFLA<\/p>\n","protected":false},"excerpt":{"rendered":"

Tello D\u00edaz, Luc\u00eda (coord.). Narrativas en la era digital. Zaragoza: Prensas de la Universidad de…<\/p>\n","protected":false},"author":4,"featured_media":5549,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"none","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[],"class_list":["post-5546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ressenyes"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}]},"featured_image_src_large":["https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/04\/coberta_narrativas-en-la-era-digital.webp",700,1003,false],"author_info":{"display_name":"Marta Roig","author_link":"https:\/\/fima.ub.edu\/edl\/author\/martaroig\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1323,"filter":"raw","cat_ID":1400,"category_count":1323,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":false,"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=5546"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5546\/revisions"}],"predecessor-version":[{"id":5550,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5546\/revisions\/5550"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media\/5549"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=5546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=5546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=5546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}