{"id":5750,"date":"2026-07-08T08:17:10","date_gmt":"2026-07-08T06:17:10","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/?p=5750"},"modified":"2026-07-08T08:17:18","modified_gmt":"2026-07-08T06:17:18","slug":"condenadas-al-olvido-de-virginia-lopez-dominguez","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/condenadas-al-olvido-de-virginia-lopez-dominguez\/","title":{"rendered":"\u00abCondenadas al olvido\u00bb, de Virginia L\u00f3pez Dom\u00ednguez"},"content":{"rendered":"
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\"coberta<\/figure>\n<\/div>\n\n\n

L\u00f3pez Dom\u00ednguez, Virginia. Condenadas al olvido: breviario de escritoras del Romanticismo.<\/em> Madrid: F\u00f3rcola, 2026. 216 p., [8] f. de l\u00e0m. col. (Periplos; 82). ISBN 978-84-19969-33-0. 22,50 \u20ac.<\/p>\n\n\n\n

Condenadas al olvido<\/em> \u00e9s un assaig de la fil\u00f2sofa, poeta i escriptora Virginia L\u00f3pez Dom\u00ednguez, especialista en Romanticisme. L\u2019autora rescata la figura d\u2019una vintena d\u2019escriptores que, malgrat el seu talent, van ser apartades injustament del c\u00e0non literari tradicional, fet que va possibilitar que el seu estudi es postergu\u00e9s darrere dels homes de la mateixa generaci\u00f3.<\/p>\n\n\n\n

El Romanticisme va ser un corrent literari i filos\u00f2fic que va n\u00e9ixer a finals del segle XVIII i que va sofrir un gran desprestigi. El sector m\u00e9s extremista parla d\u2019aquesta tend\u00e8ncia com a retr\u00f2grada i patriarcal, qualitats que sorprenen molt, ja que va ser un moviment trencador que va aspirar a la llibertat individual i social. L\u2019obra posa especial \u00e8mfasi en com la tradici\u00f3 liter\u00e0ria occidental s\u2019ha anat construint des d\u2019una visi\u00f3 predominantment masculina. Tot i que les escriptores citades en el llibre van ser admirades en vida, posteriorment van quedar relegades a un segon pl\u00e0nol, no per una q\u00fcesti\u00f3 de qualitat liter\u00e0ria sin\u00f3 com a conseq\u00fc\u00e8ncia d\u2019una societat que limitava la participaci\u00f3 femenina en la cultura.<\/p>\n\n\n\n

L\u2018autora, Virginia L\u00f3pez Dom\u00ednguez, al llarg d\u2019aquesta obra, demostra que moltes dones van haver d\u2019enfrontar-se a obstacles tant de tipus social com personal per poder desenvolupar la seva vocaci\u00f3 en un context en qu\u00e8 la dona no tenia reconeixement intel\u00b7lectual. Els cercles rom\u00e0ntics es portaven a terme en moltes ocasions a l\u2019\u00e0mbit dom\u00e8stic, on les dones eren amfitriones de les tert\u00falies, per\u00f2 tamb\u00e9 font d\u2019inspiraci\u00f3. El Romanticisme va plantar les bases te\u00f2riques per a l\u2018alliberaci\u00f3 de la dona per\u00f2, en la pr\u00e0ctica, les dones van haver de fer front a les limitacions d\u2019una estructura social patriarcal.<\/p>\n\n\n\n

L\u2019assaig s\u2019inicia amb una introducci\u00f3 que reflexiona respecte a \u00abVeritats i mentides sobre el Romanticisme i les seves dones\u00bb. <\/em>Es subdivideix en apartats clau com la posici\u00f3 social de la dona en el Romanticisme, la tergiversaci\u00f3 del moviment rom\u00e0ntic per alguns feminismes, l\u2019entorn de les escriptores rom\u00e0ntiques, els aven\u00e7os jur\u00eddics sobre el matrimoni i el divorci, les lleis mis\u00f2gines dels segles XVIII i XIX i el llegat de les escriptores rom\u00e0ntiques, entre altres. Dins d\u2019aquest apartat de \u00abveritats i mentides\u00bb, crida l\u2019atenci\u00f3 la secci\u00f3 dedicada a l\u2019assimilaci\u00f3 dels jueus a Berl\u00edn, ja que va ser un fet rellevant que va influir notablement en el naixement del Romanticisme i la posici\u00f3 que va aconseguir la dona. La burgesia jueva havia assolit una situaci\u00f3 econ\u00f2mica acomodada i les tert\u00falies liter\u00e0ries als seus salons eren aut\u00e8ntics espais creatius, domini de dones d\u2019alt nivell cultural. Tamb\u00e9 s\u2019ha de ressaltar el cap\u00edtol que parla de l\u2019escriptura \u00abfantasma\u00bb, at\u00e8s que, en aquella \u00e8poca, era freq\u00fcent que obres escrites per dones es publiquessin sota anonimat o pseud\u00f2nim mascul\u00ed per por a la censura.<\/p>\n\n\n\n

La segona part de l\u2019obra est\u00e0 formada per un \u00abBreviari d\u2019escriptores rom\u00e0ntiques\u00bb. <\/em>L\u2019obra fa un recorregut per una s\u00e8rie d\u2019escriptores fonamentals del Romanticisme. A cada una d\u2019elles li dedica un parell de p\u00e0gines i no es limita a enumerar dates i obres sin\u00f3 que aprofundeix en la seva vida i conflictes personals. Comen\u00e7a per les dones jueves de les tert\u00falies de Berl\u00edn, continua amb el cercle de Jena (primera generaci\u00f3 rom\u00e0ntica), el cercle de Heidelberg (segona generaci\u00f3 rom\u00e0ntica), literatura g\u00f2tica, grans novel\u00b7listes angleses, i finalitza amb el Romanticisme nord-americ\u00e0. Entre les figures m\u00e9s destacades apareixen Mary Wollstonecraft, Ann Radcliffe, Mary Shelley, Jane Austen, les germanes Bront\u00eb (Charlotte, Emily i Anne), George Sand, Louisa May Alcott i Emily Dickinson.  <\/p>\n\n\n\n

Per acabar, al final del llibre hi ha un \u00edndex onom\u00e0stic. Una eina de recuperaci\u00f3 de la informaci\u00f3 que hauria de ser present en tot assaig de qualitat.<\/p>\n\n\n\n

Amb aquest assaig, l\u2019autora aconsegueix conciliar el rigor acad\u00e8mic amb la divulgaci\u00f3. Rescata la mem\u00f2ria d\u2019escriptores fonamentals del Romanticisme i mostra la injust\u00edcia hist\u00f2rica que van sofrir moltes dones en aquella \u00e8poca. \u00c9s una obra que per la seva estructura i tem\u00e0tica constitueix una lectura molt recomanable per a qui gaudeix de la literatura, de la hist\u00f2ria i dels estudis de g\u00e8nere.<\/p>\n\n\n\n

M\u00f3nica Rodr\u00edguez Fern\u00e1ndez<\/a>\u00a0
Llicenciada en Filologia Hisp\u00e0nica. Autora d\u2019El petit llibre de la literatura universal<\/a><\/em> (Amat, 2025)\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

L\u00f3pez Dom\u00ednguez, Virginia. Condenadas al olvido: breviario de escritoras del Romanticismo. Madrid: F\u00f3rcola, 2026. 216…<\/p>\n","protected":false},"author":4,"featured_media":5751,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[],"class_list":["post-5750","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ressenyes"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}]},"featured_image_src_large":["https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/06\/coberta_condenadas-al-olvido-625x1024.webp",625,1024,true],"author_info":{"display_name":"Marta Roig","author_link":"https:\/\/fima.ub.edu\/edl\/author\/martaroig\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1345,"filter":"raw","cat_ID":1400,"category_count":1345,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":false,"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=5750"}],"version-history":[{"count":2,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5750\/revisions"}],"predecessor-version":[{"id":5753,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5750\/revisions\/5753"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media\/5751"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=5750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=5750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=5750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}