{"id":5754,"date":"2026-07-09T08:30:00","date_gmt":"2026-07-09T06:30:00","guid":{"rendered":"https:\/\/fima.ub.edu\/edl\/?p=5754"},"modified":"2026-07-13T10:26:08","modified_gmt":"2026-07-13T08:26:08","slug":"guardar-la-casa-y-cerrar-la-boca-de-clara-janes","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/guardar-la-casa-y-cerrar-la-boca-de-clara-janes\/","title":{"rendered":"\u00abGuardar la casa y cerrar la boca\u00bb, de Clara Jan\u00e9s"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.siruela.com\/catalogo.php?id_libro=5266&amp;completa=S&amp;titulo=guardar-la-casa-y-cerrar-la-boca&amp;autor=clara-janes\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"698\" height=\"1024\" src=\"https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/07\/9791387688721_l38_04_x-698x1024.webp\" alt=\"9791387688721 l38 04 x\" class=\"wp-image-5787\" style=\"width:185px\" srcset=\"https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/07\/9791387688721_l38_04_x-698x1024.webp 698w, https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/07\/9791387688721_l38_04_x-205x300.webp 205w, https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/07\/9791387688721_l38_04_x-768x1126.webp 768w, https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/07\/9791387688721_l38_04_x-1047x1536.webp 1047w, https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/07\/9791387688721_l38_04_x-1397x2048.webp 1397w, https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/07\/9791387688721_l38_04_x-scaled.webp 1746w\" sizes=\"auto, (max-width: 698px) 100vw, 698px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Jan\u00e9s, Clara. <em>Guardar la casa y cerrar la boca: en torno a la mujer y la literatura.<\/em> Madrid: Siruela, 2026. 185 p. (El ojo del tiempo; 167). Primera edici\u00f3, 2014. ISBN 979-13-87688-72-1. 19,95 \u20ac.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fa m\u00e9s de quaranta anys Joanna Russ va escriure un llibre provocador: <em>Com destruir l\u2019escriptura de les dones<\/em>.<a href=\"#_edn1\" id=\"_ednref1\">[1]<\/a> Russ hi recollia i criticava un seguit de frases fetes que posaven en q\u00fcesti\u00f3 l\u2019escriptura de les dones: \u00abNo ho ha escrit ella\u00bb, \u00abHo ha escrit ella, per\u00f2 mira quina carrincloneria\u00bb, \u00abHo ha escrit ella, per\u00f2 no ha escrit res m\u00e9s\u00bb, \u00abHo ha escrit ella, per\u00f2 alg\u00fa l\u2019ha ajudat\u00bb o \u00abHo ha escrit ella, per\u00f2 \u00e9s una excepci\u00f3\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Clara Jan\u00e9s (Barcelona, 1940) no \u00e9s una excepci\u00f3 ni una principiant. Poeta, traductora, guanyadora del Premio Nacional a la Obra de un Traductor, ocupa des de 2015, per dret propi i malgrat tot, la butaca \u00abU\u00bb de la Real Academia Espa\u00f1ola i, potser perqu\u00e8 quan comen\u00e7ava va sentir alguns dels comentaris que recorda Joanna Russ, va escriure <em>Guardar la casa y cerrar la boca: en torno a la mujer y la literatura<\/em>, que ara ens arriba reeditat per Siruela, dins la seva col\u00b7lecci\u00f3 \u00abEl ojo del tiempo\u00bb. Un llibre \u00abexcepcionalment\u00bb ben pensat i ben escrit que ve a desmuntar definitivament aquestes idees tan profundament instal\u00b7lades al patriarcat cultural que, tot i ferit, encara domina.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Callar, obeir i guardar la casa han estat els mandats patriarcals m\u00e9s recurrents al llarg de la hist\u00f2ria. Els trobem a la cultura occidental fixats en textos com <em>La perfecta casada<\/em> de fra Luis de Le\u00f3n, del qual Jan\u00e9s cita a l\u2019inici del llibre la recomanaci\u00f3: \u00abla naturaleza [&#8230;] as\u00ed las oblig\u00f3 a que cerrasen la boca\u00bb. I aix\u00f2 ho deia un home brillant, que apreciava de deb\u00f2 la neboda a qui ofereix el llibre amb motiu del seu casament i que, tot i aix\u00f2, la volia callada i submisa. Un mandat de silenci que va arribar despr\u00e9s als \u00abmanuals d\u2019urbanitat\u00bb que van fixar el capteniment de les nenes\/dones al segle XIX i fins mitjans del segle XX i que, tristament, encara impera en algunes parts del m\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El que fa Clara Jan\u00e9s \u00e9s retornar la veu a aquestes dones que tant han callat al llarg de la hist\u00f2ria. En un veritable treball d\u2019arqueologia liter\u00e0ria, en recupera els noms, les contextualitza i transcriu fragments de les seves obres, fent d\u2019un llibre breu \u2013185 p\u00e0gines\u2013 un veritable recull de la literatura de dona, un c\u00e0non alternatiu i tamb\u00e9 una antologia. En el seu llibre, Jan\u00e9s recorre en sentit cronol\u00f2gic, tot i no tenir la pretensi\u00f3 de tractar tots els per\u00edodes de la hist\u00f2ria, l\u2019escriptura liter\u00e0ria de les dones des de l\u2019antiga Sum\u00e8ria fins l\u2019actual Afganistan, on les dones s\u2019esvaeixen sota els burques, per\u00f2 encara pensen, senten i escriuen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El text s\u2019articula en set parts amb ep\u00edgrafs po\u00e8tics i suggerents: \u00abEl prisma\u00bb (introducci\u00f3), \u00abSacerdotisas, cortesanas, princesas y enamoradas\u00bb (les cultures antigues del pr\u00f2xim Orient: Sum\u00e8ria, Egipte), \u00abLos arm\u00f3nicos del mar\u00bb (Gr\u00e8cia i Roma), \u00abJardines cerrados, placeres abiertos\u00bb (poetes ar\u00e0bigo-andaluses), \u00abAmor de lejos y cuerpo a cuerpo\u00bb (les \u00abtrobairitz\u00bb i altres escriptores medievals), \u00abEse tiempo en que las reinas eran esclavas o el disfraz\u00bb (autores del Renaixement i el Barroc) i, finalment, \u00abLa voz de las mujeres acalladas\u00bb, les silenciades del present, dones pakistaneses, com Amrita Pritam, argelines, com Assia Djebar o les afganes an\u00f2nimes que componen <em>landays<\/em> que alguns homes valents transcriuen i difonen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El text de Jan\u00e9s, poeta ella mateixa, se centra m\u00e9s en la poesia, tot i alguna pinzellada per a les narradores, i passa per alt els segles XIX i XX, quan les dones occidentals accedeixen a la construcci\u00f3 d\u2019una veu p\u00fablica, perqu\u00e8 el que vol \u00e9s il\u00b7luminar els racons, sortir d\u2019Europa, mirar m\u00e9s enll\u00e0 de la literatura occidental. I d\u2019aquests \u00abracons\u00bb n\u2019extreu joies. Aix\u00ed, recuperem la sacerdotessa acc\u00e0dia Enheduanna, l\u2019an\u00f2nima eg\u00edpcia que escriu \u00abno renunciar\u00e9 a l\u2018home que estimo\u00bb, Safo, Sulp\u00edcia \u2013l\u2018\u00fanica poeta romana de qui coneixem el nom\u2013, la princesa bizantina Anna Comneno, la dama Murasaki \u2013la primera autora de novel\u00b7les\u2013, les poetes d\u2019Al-\u00c0ndalus, com Buthaina, la \u00abtrobairitz\u00bb comtessa de Dia \u2013que escriu: \u00abBell amic, amable i bo, \/ quan us tindr\u00e9 en el meu poder? \/ i que pogu\u00e9s jeure amb v\u00f3s una nit?\u00bb\u2013, les m\u00edstiques i monges que van omplir l\u2019Edat Mitjana i el Barroc de poemes d\u2019una immensa sensualitat espiritual, tot i que sembli una ant\u00edtesi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Clara Jan\u00e9s ens ofereix, doncs, en aquest llibre, un ventall de noms imprescindibles, els de tantes altres dones que no van seguir el consell de fra Luis de Le\u00f3n, que no van callar i que ens van deixar la seva veu que ara retrobem.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ub.edu\/adhuc\/ca\/curriculum\/elena-losada-soler\" target=\"_blank\" rel=\"noreferrer noopener\">Dra. Elena Losada Soler<\/a>&nbsp;&nbsp;<br>Universitat de Barcelona. Facultat de Filologia i Comunicaci\u00f3<br>Investigadora del <a href=\"http:\/\/www.ub.edu\/adhuc\" target=\"_blank\" rel=\"noreferrer noopener\">Centre de Recerca Teoria, G\u00e8nere, Sexualitat (ADHUC)<\/a>&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ednref1\" id=\"_edn1\">[1]<\/a> Una ressenya d\u2019aquest llibre <a href=\"https:\/\/fima.ub.edu\/edl\/suppress-acabar-destruir\/\" target=\"_blank\" rel=\"noreferrer noopener\">va ser publicada<\/a> en aquest blog en el seu moment. (N. de la R.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jan\u00e9s, Clara. Guardar la casa y cerrar la boca: en torno a la mujer y&#8230;<\/p>\n","protected":false},"author":4,"featured_media":5787,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1400],"tags":[],"class_list":["post-5754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ressenyes"],"acf":[],"taxonomy_info":{"category":[{"value":1400,"label":"Ressenyes"}]},"featured_image_src_large":["https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2026\/07\/9791387688721_l38_04_x-698x1024.webp",698,1024,true],"author_info":{"display_name":"Marta Roig","author_link":"https:\/\/fima.ub.edu\/edl\/author\/martaroig\/"},"comment_info":0,"category_info":[{"term_id":1400,"name":"Ressenyes","slug":"ressenyes","term_group":0,"term_taxonomy_id":1400,"taxonomy":"category","description":"","parent":0,"count":1345,"filter":"raw","cat_ID":1400,"category_count":1345,"category_description":"","cat_name":"Ressenyes","category_nicename":"ressenyes","category_parent":0}],"tag_info":false,"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=5754"}],"version-history":[{"count":4,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5754\/revisions"}],"predecessor-version":[{"id":5789,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/5754\/revisions\/5789"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media\/5787"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=5754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=5754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=5754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}