{"id":772,"date":"2016-03-17T09:10:36","date_gmt":"2016-03-17T08:10:36","guid":{"rendered":"https:\/\/ub.mmkt.dev\/multiplos-la-presencia-del-llibre-dartista\/"},"modified":"2026-03-04T14:16:35","modified_gmt":"2026-03-04T13:16:35","slug":"multiplos-la-presencia-del-llibre-dartista","status":"publish","type":"post","link":"https:\/\/fima.ub.edu\/edl\/multiplos-la-presencia-del-llibre-dartista\/","title":{"rendered":"m\u00faltiplos, la pres\u00e8ncia del llibre d&#8217;artista"},"content":{"rendered":"<p class=\"rtejustify\"><span style=\"font-size:14px;\"><a href=\"http:\/\/www.multiplosbooks.org\/\" target=\"_blank\"><img decoding=\"async\" class=\"drupal-import-img\" alt=\"\" src=\"https:\/\/fima.ub.edu\/edl\/wp-content\/inici_blog_EdL\/2016\/llibreria_multiplos\/logo.PNG\" style=\"width: 175px; height: 103px; float: left; border-width: 0px; border-style: solid; margin-left: 4px; margin-right: 4px;\" \/><\/a>El llibre d&#8217;artista \u00e9s una obra d&#8217;art \u00fanica o m\u00faltiple. El llibre d&#8217;artista t\u00e9 sentit per si mateix. L&#8217;artista, el creador, utilitza el format llibre com a mitj\u00e0, com a instrument per comunicar, per desenvolupar la seva obra. Permet que el seu treball circuli. Aquest intent de definici\u00f3 \u00e9s incomplet i ambigu. El llibre d&#8217;artista no \u00e9s una edici\u00f3 de bibli\u00f2fil, ni una monografia sobre un determinat autor, no \u00e9s un llibre d&#8217;art; \u00e9s art. El llibre d&#8217;artista no utilitza materials cars. La fotoc\u00f2pia, la fotografia, el dibuix simple, la tipografia b\u00e0sica s\u00f3n ben rebuts. Tallar, grapar i enganxar. El que importa \u00e9s la idea, el concepte, al qual s&#8217;hi adapta una formalitzaci\u00f3 que tamb\u00e9 \u00e9s contingut, com en qualsevol obra d&#8217;art.<\/span><\/p>\n<p><!--break--><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\">El llibre d&#8217;artista contemporani sovint \u00e9s autoeditat, no t\u00e9 canals propis de distribuci\u00f3 i venda. Rarament es troba a les llibreries. El llibre d&#8217;artista t\u00e9 el seu propi espai entre les diferents maneres de l&#8217;art actual. T\u00e9 el seu p\u00fablic, minoritari per\u00f2 ent\u00e8s. L&#8217;Anna Pahissa en pren nota i decideix facilitar les coses. T\u00e9 un projecte: promocionar, distribuir i vendre aquests tipus de publicacions. Obre la llibreria per donar visibilitat a les publicacions de llibre d&#8217;artista i veu els diferents actors que hi intervenen, artistes, editors, dissenyadors, comissaris, col\u00b7leccionistes i lectors.&nbsp;<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\"><img decoding=\"async\" class=\"drupal-import-img\" alt=\"\" src=\"https:\/\/fima.ub.edu\/edl\/wp-content\/inici_blog_EdL\/2016\/llibreria_multiplos\/entrada.JPG\" style=\"width: 450px; height: 337px; border-width: 0px; border-style: solid;\" \/><\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size: 14px;\">La llibreria com a node d&#8217;intercanvi, de creaci\u00f3, de propagaci\u00f3 d\u2019experi\u00e8ncies i d\u2018idees. La llibreria \u00e9s on passen coses, o fa que hi passin. L&#8217;Anna Pahissa (Barcelona, 1977) \u00e9s llicenc<\/span><span style=\"font-size: 14px;\">iada en Historia de<\/span><span style=\"font-size: 14px;\">&nbsp;l&#8217;Art per la Universitat de Barcelona, ha fet un m\u00e0ster de Gesti\u00f3 Cultural. El 2001 era a Nova York; durant un estada al MOMA va descobrir la seva vocaci\u00f3. La llibreria, <\/span><em style=\"font-size: 14px;\"><a href=\"http:\/\/www.multiplosbooks.org\/\" target=\"_blank\">m\u00faltiplos<\/a>,<\/em><span style=\"font-size: 14px;\"> \u00e9s una part del projecte, no \u00e9s un fi en si mateixa.<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\"><em>m\u00fatiplos<\/em> es troba al Raval de Barcelona. Un barri que l&#8217;Anna s&#8217;ha fet seu. Gaireb\u00e9 \u00e9s una llibreria clandestina, per accedir-hi, primer cal creuar una galeria d&#8217;art, etHall, especialitzada en dibuix contemporani. A continuaci\u00f3, darrere les cortines negres, s&#8217;amaga <em>m\u00faltiplos<\/em>. Ocupa una sala polivalent de 40 metres quadrats que fa de magatzem, de lloc de treball, de llibreria i de sala de reunions i presentacions. Al principi, el 2011, <em>m\u00faltiplos<\/em> era al carrer del Lle\u00f3; posteriorment, el novembre de 2014, es trasllada a l&#8217;actual ubicaci\u00f3 del carrer Joaquim Costa. L&#8217;Anna Pahissa va de b\u00f2lit, actualment l&#8217;ajuden dues bec\u00e0ries aplicades i amb ganes, la Laura L\u00f3pez i l&#8217;Emiliana Larraguibel.<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\"><img decoding=\"async\" class=\"drupal-import-img\" alt=\"\" src=\"https:\/\/fima.ub.edu\/edl\/wp-content\/inici_blog_EdL\/2016\/llibreria_multiplos\/vista_general.JPG\" style=\"width: 225px; height: 163px; border-width: 0px; border-style: solid;\" \/><img decoding=\"async\" class=\"drupal-import-img\" alt=\"\" src=\"https:\/\/fima.ub.edu\/edl\/wp-content\/inici_blog_EdL\/2016\/llibreria_multiplos\/pahissa_becaria.JPG\" style=\"width: 225px; height: 163px; border-width: 0px; border-style: solid;\" \/><\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\">L&#8217;Anna participa a fires nacionals i internacionals, ARCO, Berl\u00edn, Par\u00eds. El 2013 \u00e9s a Nova York, a la <a href=\"http:\/\/nyartbookfair.com\/about\/\" target=\"_blank\">NY Book Art Fair<\/a>, per primera vegada un projecte d&#8217;Espanya participava en aquesta fira, una de les m\u00e9s importants del m\u00f3n. Quan \u00e9s a l&#8217;estranger presenta els autors de la pen\u00ednsula, Espanya i Portugal. Quan \u00e9s aqu\u00ed mostra una selecci\u00f3 internacional. \u00c9s prove\u00efdora habitual del MACBA, del CCCB i d&#8217;altres institucions culturals. Actualment est\u00e0 treballant en la recuperaci\u00f3 de fons bibliogr\u00e0fics d&#8217;autors d&#8217;aqu\u00ed que van ser molt actius durant els anys setanta, van ser els pioners del llibre d&#8217;artista.&nbsp;<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\"><img decoding=\"async\" class=\"drupal-import-img\" alt=\"\" src=\"https:\/\/fima.ub.edu\/edl\/wp-content\/inici_blog_EdL\/2016\/llibreria_multiplos\/pahissa.JPG\" style=\"width: 450px; height: 325px; border-width: 0px; border-style: solid;\" \/><\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\">L&#8217;Anna sap que podria tenir i vendre t\u00edtols m\u00e9s comercials, o m\u00e9s coneguts dins d\u2019aquest \u00e0mbit. L&#8217;Anna \u00e9s una purista i es vol mantenir fidel a la seva idea. L&#8217;Anna \u00e9s una experta en la mat\u00e8ria, <em>m\u00faltiplos<\/em> \u00e9s l\u2018\u00fanica llibreria de Barcelona especialitzada en llibre d&#8217;artista, aix\u00f2 li atorga un bon avantatge dif\u00edcil d&#8217;igualar que de ben segur far\u00e0 que tiri endavant el seu projecte. Potser aviat far\u00e0 d&#8217;editora.&nbsp;<\/span><\/p>\n<p class=\"rtejustify\"><span style=\"font-size:14px;\">Text i fotografies: Marcel Albet Guinart<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El llibre d&#8217;artista \u00e9s una obra d&#8217;art \u00fanica o m\u00faltiple. El llibre d&#8217;artista t\u00e9 sentit&#8230;<\/p>\n","protected":false},"author":2,"featured_media":1342,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[148],"tags":[758,1128,1134],"class_list":["post-772","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","tag-anna-pahissa","tag-llibreries-especialitzades","tag-llibres-dartista"],"acf":[],"taxonomy_info":{"category":[{"value":148,"label":"Articles"}],"post_tag":[{"value":758,"label":"Anna Pahissa"},{"value":1128,"label":"llibreries especialitzades"},{"value":1134,"label":"llibres d'artista"}]},"featured_image_src_large":["https:\/\/fima.ub.edu\/edl\/wp-content\/uploads\/2016\/03\/logo.png",230,135,false],"author_info":{"display_name":"Escola de Llibreria","author_link":"https:\/\/fima.ub.edu\/edl\/author\/agusti\/"},"comment_info":0,"category_info":[{"term_id":148,"name":"Articles","slug":"articles","term_group":0,"term_taxonomy_id":148,"taxonomy":"category","description":"","parent":0,"count":314,"filter":"raw","cat_ID":148,"category_count":314,"category_description":"","cat_name":"Articles","category_nicename":"articles","category_parent":0}],"tag_info":[{"term_id":758,"name":"Anna Pahissa","slug":"anna-pahissa","term_group":0,"term_taxonomy_id":758,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw"},{"term_id":1128,"name":"llibreries especialitzades","slug":"llibreries-especialitzades","term_group":0,"term_taxonomy_id":1128,"taxonomy":"post_tag","description":"","parent":0,"count":34,"filter":"raw"},{"term_id":1134,"name":"llibres d'artista","slug":"llibres-dartista","term_group":0,"term_taxonomy_id":1134,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/comments?post=772"}],"version-history":[{"count":1,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/772\/revisions"}],"predecessor-version":[{"id":1081,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/posts\/772\/revisions\/1081"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media\/1342"}],"wp:attachment":[{"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/media?parent=772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/categories?post=772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fima.ub.edu\/edl\/wp-json\/wp\/v2\/tags?post=772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}